9 Quotes by Stephen Koch

...what really makes for readability is not clarity but attitude: the attitude of your prose toward out elusive friend the Reader and the role you invent for that invented being in your invented world.

The shock of recognition is a moment of excitement that shakes the soul. It may be hard to describe, but like other forms of love, you will know it when you feel it

And please don't sink into this woeful nonsense about not having time to read...The real culprit here is almost never your schedule. It is your boredom--your boredom with the books you think you are supposed to read. Find a book you want, a book that gives you real trembling excitement, a book that is hot in your hands, and you'll have time galore.

And please don’t sink into this woeful nonsense about not having time to read... The real culprit here is almost never your schedule. It is your boredom – your boredom with the books you think you are supposed to read. Find a book you want, a book that gives you real trembling excitement, a book that is hot in your hands, and you’ll have time galore.

When I used to teach creative writing, I would tell the students to make their characters want something right away – even if it’s only a glass of water. Characters paralyzed by the meaninglessness of modern life still have to drink water from time to time.

Use every mistake. The inarticulate parts point to where you must make the words say exactly what you mean. The ragged parts point to what you must polish. The gaping holes tell you what has to be filled. The dull parts tell you unfailingly what must be cut. The blank spots show exactly what you must go out and find. These are infallible guides, and though they talk tough, they are your friends.

Since you have no choice but to begin in uncertainty, you must learn to tolerate uncertainty and, if possible, to turn it into excitement.

Productivity is the only path to confidence.

Incredibly, there are people – smart people – who think a prim disdain for drama is somehow a sign of “good taste.” It is more often the reverse: a lamentable insensitivity to the essence of the art, a failure to “get it” on the most essential level. It is more often a sign not of good taste but of artistic insecurity. Not knowing how far to go, the writer goes nowhere. Lifelessness is not a form of elegance you should pursue.