In movies, war only looks romantic. “Tell my gal I love her…” close-up shot, and fade out. It doesn’t work as beautifully and neat in real life. Flying chunks of human flesh and screaming orphans really put that Hollywood take into perspective and there is nothing clean or sterile about any of it. When people die, it’s fucking horrible.

A woman in combat? Yes. Since when? Since Native American warrior Buffalo Calf Road Woman knocked that prick General George Custer off of his horse. Since Pantea Arteshbod propelled herself to become one of the greatest Persian commanders during the reign of Cyrus the Great. Since Hua Mulan disguised herself as a male to engage in combat and became one of China’s most respected heroines.

To stay alive, you have to keep moving. Running, relocating, driving, doing everything in your power to stay in motion and make it to safety.

A moving target is harder to kill, and I didn't stop running, maneuvering, until I reached home base, where I could breathe between death-defying sprints. I just need to make it home alive, and this will all be over, I told myself. Home.

Get acquainted with your shadow, or find yourself surprised when a crisis emerges.

I left a piece of my soul that will always rightfully belong in the desert.

There are people who come home from war and want to talk about the pain, but no one wants to listen; there are others who want to keep silent and repress the memories, and all their family and friends want is to talk about it. I call this the war veteran reintegration paradox.

Everyone around me was allowed, permitted to fall apart; yet I had to think twice. I couldn't bear to take another dip into an ocean of solitude for another taste of ostracization. I felt I would die.

Adversity has the remarkable ability of introducing the real you to yourself.