It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.

I was about 17 or 18 and there were a lot of clubs and dancing. It was the beginning of rave culture and a lot of ecstasy. Because of all the drugs, there are certain songs that make me feel high.

All the songs on Yankee Hotel Foxtrot are the encapsulation of heterosexual love. I have different records for gay sex.

I have a song about how much I hate emojis and the lazy thinking of people who use them. I wish that more people had respect for the English language.

I was crazy about the song "Doot Doot," so I usually love this genre of weird, European electronic.

I'm super-obsessed with 'Intervention.' I wrote a song about it.

Like the Birth Of Venus, the song [Yello "oh, Yeah"] denotes the birth of the bro. The song just reminds me of bros looking out over lowered Ray-Bans. It birthed a negative sexual revolution. I was going to a lot of bondage clubs at the time and they did play this song. The song I associate more is that horrible Enigma song with the Gregorian chant. There's something good buried in that song and I might not hate it as much if I hadn't been a sex worker.