41 Quotes About Cs-lewis

Grace will follow us even when we are going the wrong way

It may be that the Chronicles of Narnia may outlive The Allegory of Love, and Perelandra outlive them both. Few works of learning and criticism survive a hundred years; what it was learned to know in 1950 will be expected of scholarship-candidates in 2000; new things will be discovered, old notions disproved, other critical values asserted; but a piece of genuine imagination in fiction may have a long life.

In the early 1920s, Lewis hoped to be remembered as an atheist poet, whose bitter and forceful condemnations of an uncaring and absent God would rid the world of any lingering religious belief. Today, he is remembered as one of the greatest Christian apologists of all time. He has become an ingredient of that greater story, and an encouragement to us to find our own place.

The primary function of mental pain, says Lewis, is to force our misdirectedness on our attention. But just as it belongs to our fallen state to be blind to holiness until we suffer the consequences of sin, and blind to a higher good until natural satisfactions are snatched from us; so equally it belongs to our state that we cannot achieve disinterestedness until it costs us pain.

Man, to Lewis, is an immortal subject; pains are his moral remedies, salutary disciplines, willing sacrifices, playing their part in a drama of interchange between God and him.

He often expressed his amazement...at the power of theatre to transfigure a play, and inject it with significances he could never have imagined without it: yet for all that, he did not change custom or become a theatregoer, and this...was a part of the price he had to pay for a habit of Protestantism.

Fine scholar though he was, he was an even better teacher; and it may truly be said of him...that in turning men's minds to the Middle Ages he 'stimulated their mental thirst...silently indoctrinating them with nobler ideas, which might afterwards be appealed to as first principles'.

Thus, in The Lion they become monarchs under sovereign Jove; in Prince Caspian they harden under strong Mars; in The Dawn Treader they drink light under searching Sol; in The Silver Chair they learn obedience under subordinate Luna; in The Horse and His Boy they come to love poetry under eloquent Mercury; in the Magicians Nephew they gain life-giving fruit under fertile Venus; and in the Last Battle they suffer and die under chilling Saturn.

His sentences are in homely English, and yet there is something Roman in the easy handling of clauses, and something Greek in their ascent from analogy to idea.