Jason Robert Brown
Jason Robert Brown
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Full Name and Common Aliases
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Jason Robert Brown is an American composer, lyricist, and playwright. He is often referred to as the "father of contemporary musical theatre" due to his innovative approach to storytelling through music.
Birth and Death Dates
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Born on December 20, 1970, Jason Robert Brown is still active in the entertainment industry today.
Nationality and Profession(s)
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Brown's nationality is American, and he works as a composer, lyricist, and playwright. His professional career spans over two decades, during which he has written numerous hit musicals that have captivated audiences worldwide.
Early Life and Background
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Jason Robert Brown grew up in New York City with his family. His early life had a profound impact on his work, as he often drew inspiration from personal experiences and emotions. He began writing music at an early age and was heavily influenced by classic musical theatre composers such as Stephen Sondheim.
Major Accomplishments
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Jason Robert Brown's most notable works include:
The Last Five Years: A critically acclaimed rock musical that explores the relationship between two young artists. The show received numerous awards, including a Grammy nomination.
13: A coming-of-age story about teenagers struggling with identity and peer pressure. The musical premiered on Broadway in 2008 and won several awards.
Parade: A musical drama that delves into themes of racism and injustice. It was nominated for seven Tony Awards, including Best Musical.Notable Works or Actions
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Some of Brown's notable works include:
_Songs for a New World_: An album featuring solo performances by Brown himself.
_The Bridges of Madison County_: A musical adaptation of the novel of the same name, written in collaboration with Marsha Norman.
_Honeymoon in Vegas_: A stage adaptation of the film of the same name.
Impact and Legacy
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Jason Robert Brown's impact on contemporary musical theatre cannot be overstated. He has been instrumental in pushing the boundaries of storytelling through music, experimenting with innovative formats and themes that resonate with modern audiences. His work has inspired a new generation of writers and composers to explore the possibilities of musical theatre.
Why They Are Widely Quoted or Remembered
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Jason Robert Brown's profound impact on musical theatre is evident in his ability to craft relatable characters, weaving intricate stories through music that evoke strong emotions in audiences. He has been praised for his honesty, creativity, and innovative approach to storytelling, solidifying his place as one of the most influential figures in contemporary musical theatre.
His work continues to inspire, educate, and entertain audiences around the world.
Quotes by Jason Robert Brown
I want you and you and nothing but you – miles and piles of you! Finally, I’ll have something worthwhile to think about each morning. You and you and nothing but you – no substitution will do! Nothing but fresh, undiluted and pure; top of the line and totally mine!
It’s about one moment. It’s about hitting the wall and having to make a choice, or take a stand, or turn around and go back.
Comedy is drama. I think that if your characters are feeling something that is very real, then they have to respond in a way that feels real to them, and some situations, the only response you could possibly have is to respond in a way that's so extreme that people are going to laugh.
It's about one moment. It's about hitting the wall and having to make a choice, or take a stand, or turn around and go back.
I am a muso, and I love doing it. I assumed that would be my career for a long time. I always wanted to be a writer, but I didn't think that anyone could actually be that full-time, so I always go back to conducting and arranging and playing. If you scratch me, I'm a musician.
I never wanted to write 'Mamma Mia!' or 'The Book of Mormon' - they're not my thing, I don't care about them. What I do is very different.
In terms of my religious preference, if a year goes by and I don't have a Seder or I don't light the menorah, I feel a loss.
I know I'm really good at writing for the theater. I can deny it all I want. Other people can fight me on it. It doesn't really matter. It's the thing I happen to know is my gift.