JD

John Drinkwater


#### A Poet of Rural Life and Social Justice

Full Name and Common Aliases


John Drinkwater was a renowned English poet, playwright, and critic whose full name was Arthur Granville-Drinkwater. He is often referred to as John Drinkwater, which has become his more commonly recognized moniker.

Birth and Death Dates


Born on March 17, 1882, in Dronfield, Derbyshire, England, John Drinkwater's life spanned an era marked by significant social change. He passed away on November 23, 1937.

Nationality and Profession(s)


Drinkwater was a proud Englishman and a dedicated artist who devoted his life to writing, primarily as a poet and playwright. His work reflected the rhythms of rural England, where he drew inspiration from nature, social justice, and the lives of ordinary people.

Early Life and Background


Growing up in Dronfield, Drinkwater developed an early affinity for words and music. He was educated at home before attending Queen's College in Oxford University, where he studied English Language and Literature. This academic foundation laid the groundwork for his later literary pursuits.

During World War I, Drinkwater served as a corporal in the 2nd/4th Battalion of the Royal Warwickshire Regiment. The horrors of war had a profound impact on him, which would later be reflected in his poetry. His experiences during this period significantly shaped his perspective and writing style.

Major Accomplishments


Drinkwater's literary accomplishments are numerous and varied:

Poetry collections: He published several notable poetry collections, including "Maturity" (1917) and "The Poems of John Drinkwater" (1924), which showcased his mastery of verse.
Plays: His plays, such as "Abraham Lincoln" (1918) and "A Song of Love" (1926), demonstrated his versatility in storytelling and his ability to convey complex themes through drama.
Criticism: Drinkwater was also a respected literary critic. He wrote for various publications and offered insightful analyses of the work of other poets and writers.

Notable Works or Actions


Drinkwater's writing often focused on rural life, exploring the struggles and triumphs of ordinary people in England. Some notable works that exemplify his focus on social justice include:

"The Fool's Trumpet" (1916): A poem that captured the mood of a nation in turmoil during World War I.
"Abraham Lincoln": A play that celebrated the American president's commitment to freedom and equality.

Impact and Legacy


Drinkwater's contributions to literature have had a lasting impact:

Influence on subsequent writers: His work inspired a new generation of poets, including some who went on to become prominent figures in British literature.
Social commentary: Drinkwater's writing often addressed pressing social issues of his time, such as poverty and war. He brought attention to these concerns through the power of art.

Why They Are Widely Quoted or Remembered


Drinkwater is remembered for his remarkable body of work, which continues to be studied and appreciated by scholars and readers alike:

Authentic voice: His poetry and plays offered a genuine portrayal of rural England, providing insight into the lives of those often overlooked in literature.
* Social conscience: Drinkwater's commitment to social justice has left an enduring legacy, as his work continues to inspire discussions about equality and human rights.

In conclusion, John Drinkwater was a multifaceted artist whose literary contributions have stood the test of time. Through his poetry and plays, he painted vivid pictures of rural life and advocated for social change.

Quotes by John Drinkwater

The poet’s perfect expression is the token of a perfect experience; what he says in the best possible way he has felt in the best possible way, that is, completely.
"
The poet’s perfect expression is the token of a perfect experience; what he says in the best possible way he has felt in the best possible way, that is, completely.
There can be no proof that Blake’s lyric is composed of the best words in the best order; only a conviction, accepted by our knowledge and judgment, that it is so.
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There can be no proof that Blake’s lyric is composed of the best words in the best order; only a conviction, accepted by our knowledge and judgment, that it is so.
We recognise in the finished art, which is the result of these conditions, the best words in the best order – poetry; and to put this essential poetry into different classes is impossible.
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We recognise in the finished art, which is the result of these conditions, the best words in the best order – poetry; and to put this essential poetry into different classes is impossible.
The musician – if he be a good one – finds his own perception prompted by the poet’s perception, and he translates the expression of that perception from the terms of poetry into the terms of music.
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The musician – if he be a good one – finds his own perception prompted by the poet’s perception, and he translates the expression of that perception from the terms of poetry into the terms of music.
To take an analogy: if we say that a democratic government is the best kind of government, we mean that it most completely fulfills the highest function of a government – the realisation of the will of the people.
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To take an analogy: if we say that a democratic government is the best kind of government, we mean that it most completely fulfills the highest function of a government – the realisation of the will of the people.
And not a girl goes walking Along the Cotswold lanes But knows men’s eyes in April Are quicker than their brains.
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And not a girl goes walking Along the Cotswold lanes But knows men’s eyes in April Are quicker than their brains.
When you defile the pleasant streams,
And the wild bird's abiding place,
You massacre a million dreams,
And cast your spittle in God's face
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When you defile the pleasant streams, And the wild bird's abiding place, You massacre a million dreams, And cast your spittle in God's face
A lyric, it is true, is the expression of personal emotion, but then so is all poetry, and to suppose that there are several kinds of poetry, differing from each other in essence, is to be deceived by wholly artificial divisions which have no real being.
"
A lyric, it is true, is the expression of personal emotion, but then so is all poetry, and to suppose that there are several kinds of poetry, differing from each other in essence, is to be deceived by wholly artificial divisions which have no real being.
So it is in poetry. All we ask is that the mood recorded shall impress us as having been of the kind that exhausts the imaginative capacity; if it fails to do this the failure will announce itself either in prose or in insignificant verse.
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So it is in poetry. All we ask is that the mood recorded shall impress us as having been of the kind that exhausts the imaginative capacity; if it fails to do this the failure will announce itself either in prose or in insignificant verse.
For while the subjects of poetry are few and recurrent, the moods of man are infinitely various and unstable. It is the same in all arts.
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For while the subjects of poetry are few and recurrent, the moods of man are infinitely various and unstable. It is the same in all arts.
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