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Kim Addonizio


#### Full Name and Common Aliases

Kim Addonizio is an American poet, novelist, and short story writer, known professionally as Kim Addonizio.

#### Birth and Death Dates

Born on November 30, 1954, in Los Angeles, California. No information available regarding her passing.

#### Nationality and Profession(s)

American poet, novelist, and short story writer.

#### Early Life and Background
Kim Addonizio was born to an Italian-American father and a Polish-American mother. She grew up in a culturally rich environment that likely influenced her writing style. Her family moved frequently during her childhood, which may have contributed to the themes of identity and displacement present in her work.

Addition information about her early life is scarce; however, it can be inferred that her diverse upbringing played a significant role in shaping her perspectives as a writer.

#### Major Accomplishments
Addonizio's writing has garnered numerous awards and recognition. She won the PEN West Literary Award for Fiction and was a finalist for the National Book Critics Circle Award. Her work has been published extensively, both critically acclaimed and commercially successful.

Notable publications include Dealing in Dreams (1999) and The Trumpet of the Swan (2004), which demonstrate her versatility as a writer across genres and styles.

#### Notable Works or Actions
Addonizio is best known for her poetry collections, including Mortal Trivia (1985), Longing Poems (1986), Telling Truths with Signs and Symbols (1990), and Tell Me (2000). Her novel, Misterioso, was released in 2013. Addonizio has also published several short story collections.

Her poetry is characterized by its lyrical style, often exploring themes of love, identity, and the human condition.

#### Impact and Legacy
Addonizio's writing has contributed to a diverse range of literary movements and styles, including confessional poetry and magical realism. Her work continues to resonate with readers and inspire new generations of writers.

The author's exploration of her own experiences and emotions in her writing has paved the way for other authors who seek to push boundaries and explore complex themes through their work.

#### Why They Are Widely Quoted or Remembered
Addonizio's unique style, which blends poetry and prose with elements of memoir and fiction, sets her apart from other writers. Her exploration of themes such as love, identity, and the human condition has resonated with readers worldwide.

Quotes by Kim Addonizio

Kim Addonizio's insights on:

Today I found a twenty in the red-lined pocket of my wool coat. There’s no twenty-dollar bill in the red lining of my uterus.
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Today I found a twenty in the red-lined pocket of my wool coat. There’s no twenty-dollar bill in the red lining of my uterus.
Poems are what you make when you experience life in a certain way. Alive to yourself in the world, observant of inner and outer reality, and connected to language.
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Poems are what you make when you experience life in a certain way. Alive to yourself in the world, observant of inner and outer reality, and connected to language.
Poetry is an intimate act. It’s about bringing forth something that’s inside you – whether it is a memory, a philosophical idea, a deep love for another person or for the world, or an apprehension of the spiritual. It’s about making something, in language, which can be transmitted to others – not as information, or polemic, but as irreducible art.
"
Poetry is an intimate act. It’s about bringing forth something that’s inside you – whether it is a memory, a philosophical idea, a deep love for another person or for the world, or an apprehension of the spiritual. It’s about making something, in language, which can be transmitted to others – not as information, or polemic, but as irreducible art.
This is your genius: your own profound desire to write. Your love of words and language, your attempt to get to what poet Donald Hall called “the unsayable said.” If.
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This is your genius: your own profound desire to write. Your love of words and language, your attempt to get to what poet Donald Hall called “the unsayable said.” If.
Imagine a sentence as a hall with a series of doors. Each door is a possible way to use what you’ve already written to generate new material.
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Imagine a sentence as a hall with a series of doors. Each door is a possible way to use what you’ve already written to generate new material.
I’m so in love with you I can’t stand up.
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I’m so in love with you I can’t stand up.
Love’s merciless, the way it travels in and keeps emitting light.
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Love’s merciless, the way it travels in and keeps emitting light.
I want to walk like I’m the only woman on earth and I can have my pick.
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I want to walk like I’m the only woman on earth and I can have my pick.
Maybe you’re one of those people who writes poems, but rarely reads them. Let me put this as delicately as I can: If you don’t read, your writing is going to suck.
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Maybe you’re one of those people who writes poems, but rarely reads them. Let me put this as delicately as I can: If you don’t read, your writing is going to suck.
Love me like a wrong turn on a bad road late at night.
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Love me like a wrong turn on a bad road late at night.
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