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Lee Konitz

51quotes

Lee Konitz: A Legendary Figure in Jazz Music


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Full Name and Common Aliases


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Lee Konitz was born as Lester Willis Horowitz on October 13, 1927, but he is more commonly known as Lee Konitz. Throughout his career, he was also referred to as the "Greatest Tenor" and the "Master of the Altissimo."

Birth and Death Dates


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Lee Konitz passed away on April 15, 2020, at the age of 92.

Nationality and Profession(s)


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Konitz was an American jazz saxophonist, composer, and arranger. He is widely regarded as one of the most influential musicians in the history of jazz.

Early Life and Background


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Lee Konitz grew up in a working-class family in Chicago's South Side. His early exposure to music came from listening to his mother play the piano and singing along with her. As a young boy, he became fascinated with the saxophone after seeing a movie featuring Charlie Parker, which sparked his interest in jazz.

Konitz began playing the saxophone at age 11 and started performing professionally shortly after. He dropped out of high school in 1944 to pursue a career in music. By the time he was 18 years old, Konitz had already gained recognition as an exceptional young musician.

Major Accomplishments


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Lee Konitz's career spanned over six decades, with numerous significant accomplishments and accolades:

Developed his unique sound on the alto saxophone, characterized by a distinctive tone and phrasing.
Collaborated with some of the greatest jazz musicians, including Charlie Parker, Dizzy Gillespie, Miles Davis, and John Coltrane.
Composed many notable works, such as "Subconscious-Lee" and "Lover Man (Oh Where Can You Be)".
Recorded over 100 albums as a leader or co-leader.

Notable Works or Actions


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Lee Konitz's most iconic compositions include:

Subconscious-Lee: A 1956 album that showcased his unique improvisational style and melodic sense.
Lover Man (Oh Where Can You Be): A jazz standard reimagined by Konitz, featuring his distinctive alto saxophone sound.

Impact and Legacy


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Lee Konitz's influence on modern jazz is immeasurable. He was a key figure in the development of bebop and cool jazz movements:

Bebop Innovator: Konitz's work with Charlie Parker helped shape the sound of bebop, influencing generations of musicians.
Cool Jazz Pioneer: His contributions to the cool jazz movement paved the way for other innovators like Miles Davis and John Coltrane.

Why They Are Widely Quoted or Remembered


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Lee Konitz's legacy extends beyond his music. He was a true original, an innovative thinker who pushed the boundaries of what was possible on the saxophone:

Influence on Future Generations: Konitz inspired countless musicians, including famous names like Pat Metheny and Bill Evans.
Groundbreaking Compositions: His unique compositions continue to be performed and reinterpreted by artists worldwide.

Lee Konitz's impact on jazz music is undeniable. He remains one of the most revered figures in the history of American music.

Quotes by Lee Konitz

Lee Konitz's insights on:

As long as there are people trying to play music in a sincere way, there will be some jazz.
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As long as there are people trying to play music in a sincere way, there will be some jazz.
It’s very demanding to make up your own music.
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It’s very demanding to make up your own music.
That’s kind of my goal: to build a new row of meaningful tones.
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That’s kind of my goal: to build a new row of meaningful tones.
I’d like to feel that whatever I play is a result of whatever I’ve heard.
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I’d like to feel that whatever I play is a result of whatever I’ve heard.
I could stop and say, Well that was a D minor, G seven, but I really don’t want to know that. I just want to know that there’s a combination of notes that makes a sound.
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I could stop and say, Well that was a D minor, G seven, but I really don’t want to know that. I just want to know that there’s a combination of notes that makes a sound.
I love Indian music very much, but I haven’t studied that specifically.
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I love Indian music very much, but I haven’t studied that specifically.
After playing now for 60 years, it’s still very challenging for me to play a simple melody and have it clean and touch the reed at the proper time in the proper way.
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After playing now for 60 years, it’s still very challenging for me to play a simple melody and have it clean and touch the reed at the proper time in the proper way.
Benny Goodman was one of the big influences as a clarinet player. That’s why I wanted the clarinet.
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Benny Goodman was one of the big influences as a clarinet player. That’s why I wanted the clarinet.
I have been able to get a small audience. It’s not the huge audience, but it’s enough to make it possible to play. I appreciate that.
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I have been able to get a small audience. It’s not the huge audience, but it’s enough to make it possible to play. I appreciate that.
Bernstein grew up in my building in New York. He’s a very, very fine player. When he was a kid, he came by to find out what was going on in the world of jazz.
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Bernstein grew up in my building in New York. He’s a very, very fine player. When he was a kid, he came by to find out what was going on in the world of jazz.
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