Simon Schama
Simon Schama
Full Name and Common Aliases
Simon Godfrey Schama is a British historian, academic, and broadcaster.
Birth and Death Dates
Born on February 13, 1945, in London, England. Still active in his work, no recorded date of death.
Nationality and Profession(s)
British historian, academic, and broadcaster.
Early Life and Background
Simon Schama was born into a family of Lithuanian Jewish descent. His father, Godfrey Schama, was a journalist who fled Nazi-occupied Lithuania to escape persecution. This tumultuous experience would later influence Schama's writing on the Holocaust and World War II. Schama grew up in Hampstead, London, where he developed an interest in history at a young age.
Major Accomplishments
Schama has had a distinguished academic career, serving as:
Professor of Modern History at Harvard University
Professor of History at the University of Cambridge
Professor of Modern History and Politics at the University of Oxford
He is also known for his television documentaries, including "A History of Britain" (2000) and "The Power of Art" (2006), both of which were critically acclaimed.
Notable Works or Actions
Some of Schama's notable works include:
Citizens: A Chronicle of the French Revolution (1989)
Dead Certainties: Unwarranted Speculations (1991)
The Embarrassment of Riches: An Interpretation in Dutch Culture and Character after Orange (1987)
These books demonstrate Schama's ability to engage a broad audience with complex historical topics.
Impact and Legacy
Schama has been recognized for his contributions to the field of history, including being awarded an honorary doctorate from Harvard University. His television documentaries have made him a household name in Britain, introducing complex historical concepts to a wider audience.
Why They Are Widely Quoted or Remembered
Simon Schama is widely quoted and remembered due to his ability to make complex historical topics accessible to a broad audience through both written works and television documentaries. His engaging narrative style has helped to establish him as one of the most prominent historians working today.
Quotes by Simon Schama
Simon Schama's insights on:
The Torah, then, was compact, transferable history, law, wisdom, poetic chant, prophecy, consolation and self-strengthening counsel. Just as the sanctuary could be erected in safety and dismantled in crisis, the speaking scroll was designed to survive even incineration, because the scribes who had composed and edited it had memorised its oral traditions and its texts as part of their basic education.
It is already apparent that the ‘minimalist’ view of the Bible as wholly fictitious and unhooked from historical reality, may be as much of a mistake as the biblical literalism it sought to supersede.
In America, much foreign policy seems contrived to be an exercise in political theory with no attention to history whatsoever. Yet there’s a great reverence for history – though it’s history as thumb-sucking, security blanket-nibbling self-congratulation.
The first century of the plague had seen the country turned upside down. In the twilight years of Edward III it seemed that nothing could damage the greatness of the Plantagenet royal estate. But the world of the village went from impoverished claustrophobia to traumatized infection. A hundred years later, everything had been upended, courtesy of King Death.
Walking on camera is damn hard. It’s a Jewish problem. The rangy stride across the blasted moor is not really a Jewish thing.
Asked what he thought was the significance of the French Revolution, the Chinese Premier Zhou En-lai is reported to have answered, “It’s too soon to tell.
Almost everywhere else in Europe, the more military the state, the stronger the king – except in Britain. Here it was parliament, not the monarchy, who signed the cheques. The longer the war went on, the stronger parliament became, as the purse on which it sat grew bigger and bigger.
Nations don’t start out. There is not a particular moment when they unveil the essence of themselves. They are always a work in progress.
Histories never conclude; they just pause their prose. Their stories are, if they are truthful, untidy affairs, resistant to windings-up and sortings-out. They beat raggedly on into the future...
I don’t really like the autumn. For me it is the beginning of winter and I hate the winter. White, the colour of death.