Susan Stroman
Susan Stroman: A Pioneering Force in Musical Theater
Full Name and Common Aliases
Susan Eileen Stroman is a renowned American director, choreographer, and performer.
Birth and Death Dates
Born on May 17, 1964 (no death date noted).
Nationality and Profession(s)
American, Director, Choreographer, Performer.
Early Life and Background
Susan Stroman grew up in Philadelphia, Pennsylvania. She developed a passion for dance at an early age, training with renowned instructors. Her background in tap dancing laid the foundation for her future work in musical theater.
As she honed her craft, Stroman began to pursue a career in performance. She eventually made her way to New York City, where she worked extensively as a performer and choreographer. This experience would later serve as the springboard for her transition into directing.
Major Accomplishments
Susan Stroman's impressive résumé boasts numerous accolades. Her groundbreaking work on The Scottsboro Boys earned her a Tony Award for Best Choreography in 2010. She continued to push boundaries with Big Fish, another notable production that garnered critical acclaim.
Stroman's ability to balance creative vision with commercial appeal has made her one of the most sought-after directors in the industry. Her dedication to innovative storytelling has inspired a new generation of artists and audiences alike.
Notable Works or Actions
Some of Susan Stroman's most notable works include:
The Scottsboro Boys (2010): A musical drama that tackles themes of racism, injustice, and redemption.
Big Fish (2013): An adaptation of Daniel Wallace's novel about a son's quest to understand his larger-than-life father.
* Shuffle Along, or the Making of the Musical Sensation of 1921 and All That Followed (2016): A production that celebrates the legacy of African American musical theater.
Impact and Legacy
Susan Stroman's contributions to musical theater have been profound. Her innovative approach to storytelling has opened doors for diverse voices and perspectives in the industry. As a role model, she continues to inspire young artists and push the boundaries of what is possible on stage.
Stroman's commitment to preserving the history of American musical theater has ensured that future generations will appreciate its significance. Through her work, she has become an integral part of the rich tapestry that makes up this vibrant art form.
Why They Are Widely Quoted or Remembered
Susan Stroman is widely quoted and remembered for her trailblazing spirit, unwavering dedication to artistic expression, and unrelenting passion for storytelling. Her influence can be seen in every aspect of her work, from the way she approaches choreography to the themes she explores in her productions.
As a true original, Susan Stroman has left an indelible mark on the world of musical theater. Her legacy will continue to inspire generations to come, ensuring that her name remains synonymous with innovation and excellence.
Quotes by Susan Stroman
I believe in serendipity, but I also believe there are times when you have to be the one who lines up everything so it can fall into place.
I don't want to work with someone who's nervous, I want to work with someone who is fearless
I'm really happy when I'm immersed in the art of it all- immersed in the music, the dance, the visual. Tapping into joy- it saves you.
I know a lot of choreographers prefer to do abstract dance and not be bothered with a story, but even when I'm asked to do classical ballet or a modern piece, I still want to tell a story.
I am a storyteller, and I grew up with a father who told big-fish stories, so storytelling is very much a part of me. It was a part of my family.
I tell stories through dance, and I think that's why I'm so attracted to the theatre because even the choreography in theatre moves the plot forward at all times.
You don't do any show to be celebrated. In fact, you don't do any show thinking what's going to happen in the end. You immerse yourself in a room full of talent and a room full of designers and you hope for the best.
I always say that you can't be afraid to ask the question. What's the worst that could happen? The answer could be "no" and you go on.
![I feel the theatre is the most unique one of all [the arts] for collaboration. I feel very fortunate to be in a field where I really do get to have long conversations with the visual artists, the actors, the musicians. It's all art forms rolled into one and I feel very fortunate to be a part of it.](/_vercel/image?url=https:%2F%2Flakl0ama8n6qbptj.public.blob.vercel-storage.com%2Fquotes%2Fquote-2557633.png&w=1536&q=100)
I feel the theatre is the most unique one of all [the arts] for collaboration. I feel very fortunate to be in a field where I really do get to have long conversations with the visual artists, the actors, the musicians. It's all art forms rolled into one and I feel very fortunate to be a part of it.
I think, though, the biggest heroes in my life would have been both my mother and father. My father because he was very brave and a kid from the Depression. And my mother, a child from the Depression too, who always remained so lovely her whole life.