#German Director
Quotes about german-director
The term "German director" evokes a rich tapestry of cinematic innovation and artistic expression that has significantly shaped the global film landscape. This tag represents a unique blend of creativity, technical prowess, and cultural storytelling that German filmmakers have brought to the world. German directors are renowned for their ability to weave complex narratives that often explore themes of identity, history, and the human condition, offering audiences a profound and thought-provoking experience. People are drawn to quotes about German directors because they encapsulate the essence of visionary filmmaking and the relentless pursuit of artistic truth. These quotes often reflect the directors' insights into the creative process, their philosophical musings on life and art, and their commitment to pushing the boundaries of conventional cinema. Whether it's through the lens of expressionism, the stark realism of post-war narratives, or the avant-garde approaches of contemporary cinema, German directors have left an indelible mark on the art of filmmaking. Their words resonate with aspiring filmmakers, cinephiles, and anyone who appreciates the power of storytelling to transcend cultural and linguistic barriers, making the exploration of their thoughts and philosophies a captivating journey.
I didn't think I could continue to do the melodrama as I had done in Germany. I couldn't know how it would go over with audiences here.
I knew Law, and I knew theater. I didn't, of course, know American law, and in America the theater did not exist, except for Broadway.
Now in theory, if there is no straight line in the universe, this has its effect on art. Art must consist of something bent, something curved.
Only on Thunder did I have a producer who was interfering with my work. He was the only one at Universal. After that film I believe they fired him.
When we first came to America, I bought a tiny piece of land far out in the country. But there was no place to live on it, only a shed.
Ross Hunter was my assistant on Take Me to Town, He was a young man, an actor before that, and learned a lot on the picture. During shooting, Goldstein left, and Ross was most pleasant. He never interfered.
I think the great artists, especially in literature, have always thought with the heart.
But I always wanted my characters to be more than cyphers for the failings of their world. And I never had to look too hard to find a part of myself in them.
And it really began with Einstein. We attended his lectures. Now the theory of relativity remained - and still remains - only a theory. It has not been proven. But it suggested a completely different picture of the physical world.