6 Quotes by Erwin Panofsky

Reform or no reform, he never ceased to promote the interests of St. Denis and the Royal House of France with the same naive, and in his case not entirely unjustified, conviction of their identity with those of the nation and with the Will of God as a modern oil or steel magnate may promote legislation favorable to his company and to his bank as something beneficial to the welfare of this country and to the progress of mankind.

Those who like to interpret historical facts symbolically may recognize in this the spirit of a specifically "modern" conception of the world which permits the subject to assert itself against the object as something independent and equal; whereas classical antiquity did not as yet permit the explicit formulation of this contrast; and whereas the Middle Ages believed the subject as well as the object to be submerged in a higher unity.

Fusing the doctrines of Plotinus and Proclus with the creeds and beliefs of Christianity, Dionysius the Pseudo-Areopagite combined the Neo-Platonic conviction of the fundamental oneness and luminous aliveness of the world with the Christian dogmas of the triune God, original sin and redemption. The universe is created, animated and unified by the perpetual self-realization of what Plotinus had called "the One," what the Bible had called "the Lord," and what he calls "the superessential Light.

The connoisseur might be defined as a laconic art historian, and the art historian as a loquacious connoisseur.

It was, then, in the imagination of Virgil, and of Virgil alone, that the concept of Arcady, as we know it, was born – that a bleak and chilly district of Greece came to be transfigured into an imaginary realm of perfect bliss. But no sooner had this new, Utopian Arcady come into being than a discrepancy was felt between the supernatural perfection of an imaginary environment and the natural limitations of human life as it is.

During the Middle Ages, when bliss was sought in the beyond and not in any region of the earth, however perfect, pastoral poetry assumed a realistic, moralizing and distinctly non-Utopian character.