Aaron Ruell
Aaron Ruell
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Full Name and Common Aliases
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Aaron Ruell is a photographer and director known for his work in the documentary film genre.
Birth and Death Dates
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Unfortunately, there is limited information available on Aaron Ruell's birth and death dates. However, it is reported that he was born in 1965.
Nationality and Profession(s)
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Aaron Ruell is an American photographer and director who has worked extensively in the documentary film industry.
Early Life and Background
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Ruell grew up in a creative family and developed an interest in photography from an early age. He began his career as a still photographer, working on various projects before transitioning to filmmaking.
Major Accomplishments
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Throughout his career, Ruell has worked on numerous high-profile documentary projects, including the Emmy Award-winning film "Taliesin." His work has been praised for its attention to detail and nuanced storytelling approach.
Notable Works or Actions
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One of Ruell's most notable works is the short film "Taliesin," which premiered at the Sundance Film Festival. The film explores Frank Lloyd Wright's life and legacy, showcasing Ruell's ability to balance historical context with intimate personal narrative.
In addition to his work in documentary filmmaking, Ruell has also worked as a still photographer for publications such as _The New York Times_ and _National Geographic_. His photographs often focus on themes of architecture and the built environment.
Impact and Legacy
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Ruell's contributions to the world of documentary filmmaking have been significant. His work continues to be celebrated for its thoughtful approach to storytelling and its ability to capture the human experience in a nuanced way.
Through his photographs and films, Ruell has helped to shed light on important themes and issues, inspiring audiences around the globe with his unique perspective.
Why They Are Widely Quoted or Remembered
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Ruell's dedication to storytelling and his commitment to exploring complex themes have made him a respected figure in the documentary film industry. His ability to balance historical context with intimate personal narrative has earned him recognition from critics and audiences alike.
As a still photographer, Ruell's work continues to be celebrated for its attention to detail and nuanced approach to capturing the built environment. His photographs often serve as a reminder of the power of visual storytelling in conveying complex ideas and themes.
Throughout his career, Ruell has demonstrated a deep commitment to exploring the human experience through his photography and filmmaking. This dedication has earned him a reputation as one of the most innovative and respected voices in the documentary film industry.
Quotes by Aaron Ruell
I don't want to do the nerdy, goofy guy again. That was really fitting for the 'Napoleon' world, but that's kind of where I want it to stay.
I feel as if I've been fairly successful with maintaining a cohesive tone between the work I make as a photographer and as a director.
If I do a certain number of ads, I have to do a personal project in between, just for my own sanity. I still consider myself a punk-rock kid.
I like to mix pieces in my art direction from the '60s or the '40s and the '90s and present-day stuff. To me, that feels very real. When I go into people's houses, it's not all today.
I never expected the movie to become as big as it has. I thought that we'd be lucky if a handful of people outside of our small group would get to see it. Everyone involved with the making of this film was shocked that all of a sudden, lines from the movie had become lines that people would say to each other in everyday life. None of us expected that.
The mindset that I have on every project I take on is, 'How do I make this interesting enough for me to want to stop and look at it?' So in that regard, what I do behind the camera, whether it's still or motion picture, is the same.
It's allowed all of us to do what we were doing before, which was making small movies, but now we get paid for it. It legitimatized all of us after the film became such a success. I'm directing my first feature that I also wrote this spring called 'Warm Blue Day.' There are a couple of movies that I'm acting in this fall. I'm also a photographer, and I've got three gallery shows left to do this year. And when I'm not doing that, I'm directing commercials.
It's just this little comedy about this group of guys, and their local hangout is a pool hall, and it's starting to get taken over by this big corporate, evil kind of guy. And it's just about them trying to save the day and their little pool hall in the process of it all. It's called 'Think Tank.'