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Ahdaf Soueif

51quotes

Ahdaf Soueif: A Voice for Palestine and Literature
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Full Name and Common Aliases


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Ahdaf Soueif is a renowned Egyptian-British novelist, essayist, and translator. Her full name is Ahdaf Sa'ad Saqr Soueif.

Birth and Death Dates


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Born on March 23, 1950, in Cairo, Egypt, Ahdaf Soueif's life has been marked by a lifelong commitment to literature and social justice.

Nationality and Profession(s)


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Soueif holds dual Egyptian-British nationality. Her work spans multiple genres: novelist, essayist, translator, and critic.

Early Life and Background


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Growing up in Cairo during the tumultuous 1950s and 60s, Soueif was surrounded by the city's vibrant intellectual and cultural scene. Her mother, a poet, and her father, an engineer, instilled in her a love for literature from an early age.

The Influence of Egyptian Culture
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Soueif's upbringing had a profound impact on her writing, which often explores themes of identity, politics, and social change. Egypt's complex history and cultural heritage are evident throughout her work.

Major Accomplishments


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Novelist: Soueif's debut novel, _In the Eye of the Sun_, was published in 1992 to critical acclaim.
 Essayist: Her essays on politics and literature have been widely published in various journals and newspapers.
* Translator: She has translated works by Egyptian writers into English.

Notable Works or Actions


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Soueif's writing often explores the complexities of Arab identity, particularly through her novel _The Map of Love_. This book is a sweeping narrative that spans generations, exploring themes of love, loss, and identity.

A Powerful Voice for Palestine
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In 2011, Soueif became an outspoken advocate for Palestinian rights during the Arab Spring protests. Her essays on the subject have been widely read and discussed.

Impact and Legacy


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Soueif's writing has had a significant impact on readers worldwide. Her novels and essays offer nuanced explorations of identity, politics, and social change.

A Voice for Literature and Social Justice
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Through her work as a novelist, essayist, and translator, Soueif continues to inspire readers with her powerful voice for Palestine and literature.

Why They Are Widely Quoted or Remembered


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Soueif's writing is widely quoted and remembered due to its thought-provoking exploration of Arab identity, politics, and social change. Her commitment to social justice and her unflinching advocacy for Palestinian rights have made her a respected figure in the literary world.

Conclusion
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Ahdaf Soueif's remarkable life has been marked by an unwavering dedication to literature and social justice. Her writing continues to inspire readers worldwide, offering a powerful voice for Palestine and a testament to the enduring power of literature.

Quotes by Ahdaf Soueif

Ahdaf Soueif's insights on:

It’s good that I should have to come some way to meet you.
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It’s good that I should have to come some way to meet you.
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Wonder ’do we – by the same words – mean the same things?
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Wonder ’do we – by the same words – mean the same things?
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I hardly trust myself to write about him. I do not know what I should write about him.
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I hardly trust myself to write about him. I do not know what I should write about him.
AS
There’s a strength in that look, a wilfulness; one would almost call it defiance except that it is so good-humoured. It is the look a woman would wear – would have worn – if she asked a man, a stranger, say, to dance.
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There’s a strength in that look, a wilfulness; one would almost call it defiance except that it is so good-humoured. It is the look a woman would wear – would have worn – if she asked a man, a stranger, say, to dance.
AS
She wanted nothing to come between her and the rain and the sky.
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She wanted nothing to come between her and the rain and the sky.
AS
So. Tell me. What do you think? Which is better? To take action and perhaps make a fatal mistake – or to take no action and die slowly anyway?
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So. Tell me. What do you think? Which is better? To take action and perhaps make a fatal mistake – or to take no action and die slowly anyway?
AS
She needs to leave him alone when he wants to be left alone. But then, do they meet in order for him to be left alone? Do they take trains and aeroplanesand drive for hours so that he should be left alone? If what he wants is to be left alone, then why do they meet at all? Everybody worries so about separation, but the problem is not the separations; it is how they are when they’re together.
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She needs to leave him alone when he wants to be left alone. But then, do they meet in order for him to be left alone? Do they take trains and aeroplanesand drive for hours so that he should be left alone? If what he wants is to be left alone, then why do they meet at all? Everybody worries so about separation, but the problem is not the separations; it is how they are when they’re together.
AS
We always know how the story ends. What we don’t know is what happens along the way.
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We always know how the story ends. What we don’t know is what happens along the way.
AS
So at the heart of all things is the germ of their overthrow; the closer you are to the heart, the closer to the reversal. Nowhere to go but down. You reach the core and then you’re blown away –.
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So at the heart of all things is the germ of their overthrow; the closer you are to the heart, the closer to the reversal. Nowhere to go but down. You reach the core and then you’re blown away –.
AS
But things move on and by the time you’ve plotted your position the world around you has changed and you are running -panting- to catch up.
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But things move on and by the time you’ve plotted your position the world around you has changed and you are running -panting- to catch up.
AS
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