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Alan Arkin

128quotes
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Alan Arkin came out of Brooklyn, New York, where he was born on March 26, 1934. Growing up in that borough during the mid-twentieth century placed him at the edge of one of America's most creatively charged urban environments, and he went on to study at Franklin High School, Los Angeles City College, and Bennington College before building a career that would stretch across stage, screen, and television.

Arkin worked as an actor, director, screenwriter, filmmaker, musician, and singer — a range that made him difficult to pin down as any single kind of artist. On stage he earned a Tony Award and a Theatre World Award, marking him as a serious presence in the theater world. His film work drew equal recognition: he received a Golden Globe Award for Best Actor in a Motion Picture Musical or Comedy, a BAFTA Award, and ultimately an Academy Award for Best Supporting Actor. His notable film credits include Edward Scissorhands, the dark family comedy Little Miss Sunshine, and the political thriller Argo, three very different productions that show how comfortably he moved across genres over the decades.

As a television actor he extended that same range to the small screen, and his work as a writer added yet another dimension to a professional life that resisted easy categorization. He remained a citizen of the United States throughout, working in the English language across all of his projects. Whether he was in front of the camera, behind it as a director, or contributing to a script, he brought the same professional discipline that had been evident from his earliest theatrical work.

Alan Arkin died on June 29, 2023, in Carlsbad, California. His Academy Award for Best Supporting Actor, connected to his appearance in Little Miss Sunshine, stands as one of the more concrete markers of a long career that moved between music, writing, directing, and performing across film, stage, and television over the better part of seven decades.

Quotes by Alan Arkin

Alan Arkin's insights on:

I used to watch the world as if it was a performance and I would realize that certain things that people did moved me, and certain things didn't move me, and I tried to analyze, even at that age, six and seven and eight, why I was moved by certain things they did.
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I used to watch the world as if it was a performance and I would realize that certain things that people did moved me, and certain things didn't move me, and I tried to analyze, even at that age, six and seven and eight, why I was moved by certain things they did.
TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything.
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TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything.
I can't even pretend to play golf.
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I can't even pretend to play golf.
If you want to be an actor and you love acting, you can do it whether you're doing something else or not. You can be connected with community theater or make your own little movies. But if you want to be a movie star, you've got a tough road ahead of you.
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If you want to be an actor and you love acting, you can do it whether you're doing something else or not. You can be connected with community theater or make your own little movies. But if you want to be a movie star, you've got a tough road ahead of you.
I'm an actor. My life as an actor depends on who sends me what. I'm just taking the best stuff that I can find that's sent my way, regardless of how big or little the paycheck is.
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I'm an actor. My life as an actor depends on who sends me what. I'm just taking the best stuff that I can find that's sent my way, regardless of how big or little the paycheck is.
I don’t think it does the audience any good to know what I do to prepare. It keeps it more of a surprise. I don’t feel like it has to be a mystery.
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I don’t think it does the audience any good to know what I do to prepare. It keeps it more of a surprise. I don’t feel like it has to be a mystery.
That’s what we’re all doing, all the time, whether we know it or not. Whether we like it or not. Creating something on the spur of the moment with the materials at hand. We might just as well let the rest of it go, join the party, and dance our hearts out.
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That’s what we’re all doing, all the time, whether we know it or not. Whether we like it or not. Creating something on the spur of the moment with the materials at hand. We might just as well let the rest of it go, join the party, and dance our hearts out.
No matter what you do or where you are, you’re going to be missing out on something.
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No matter what you do or where you are, you’re going to be missing out on something.
All I can say is if the part doesn’t delight me in some way, or I can’t feel any compassion for it, I just can’t do it.
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All I can say is if the part doesn’t delight me in some way, or I can’t feel any compassion for it, I just can’t do it.
I used to watch the world as if it was a performance and I would realize that certain things that people did moved me, and certain things didn’t move me, and I tried to analyze, even at that age, six and seven and eight, why I was moved by certain things they did.
"
I used to watch the world as if it was a performance and I would realize that certain things that people did moved me, and certain things didn’t move me, and I tried to analyze, even at that age, six and seven and eight, why I was moved by certain things they did.
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