I think, when you are growing up, you have to pull apart from what your mother wants or needs. You've got to go your own way, and that's what I did.

Some of the stories I admire seem to zero in on one particular time and place. There isn't a rule about this. But there's a tidy sense about many stories I read. In my own work, I tend to cover a lot of time and to jump back and forward in time, and sometimes the way I do this is not very straightforward.

When you are young, you cannot imagine being disabled. You imagine you would conquer it somehow. As I've got older, I can imagine it; I can see how life narrows in. I feel compassion for my mother now.

While working on my first five books, I kept wishing I was writing a novel. I thought until you wrote a novel, you weren't taken seriously as a writer. It used to trouble me a lot, but nothing troubles me now, and besides, there has been a change. I think short stories are taken more seriously now than they were.

I seem to turn out stories that violate the discipline of the short story form and don't obey the rules of progression for novels. I don't think about a particular form: I think more about fiction, let's say a chunk of fiction.

I read all the time, and I'm often struck by something I'm reading.

I'm always trying. Between every book, I think, 'Well now, it's time to get down to the serious stuff.'

For a long time, I had the idea that I would do a certain amount of work the best I could, and then I would reach a comfort zone, and I wouldn't be pushed to write more. I would become a different person. It's a surprise to me that this hasn't happened. Your body ages, but your mind is the same.

I never start out with any kind of connecting theme or plan. Everything just falls the way it falls. I don't ever think about what kind of fiction I write or what I am writing about or what I am trying to write about. When I'm writing, what I do is I think about a story that I want to tell.

I had my first baby at twenty-one.