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Aliette de Bodard
22quotes
Full Name and Common Aliases
Aliette de Bodard is a Vietnamese-French science fiction and fantasy writer.
Birth and Death Dates
Born on June 23, 1969, in Paris, France, and still active as an author today.
Nationality and Profession(s)
Nationality: French-Vietnamese
Profession(s): Science Fiction/Fantasy Writer
Early Life and Background
Aliette de Bodard was born to a Vietnamese mother and a French father. Growing up between two cultures had a significant impact on her writing style, which often explores the intersection of East and West. She learned French at home but eventually moved to Vietnam with her family when she was 13 years old. After completing her education in Vietnam, de Bodard returned to France for further studies.
Major Accomplishments
Aliette de Bodard has received numerous awards for her work, including the Nebula Award and the Hugo Award for Best Novelette. She is one of only a handful of authors to have won multiple Hugo Awards for short fiction. Her notable publications include the Obsidian & Blood trilogy, The House of Shattered Wings series, and Dominion of the Fallen series.
Notable Works or Actions
One of her most popular works, "The Tea Master," was published in 2011 as part of the Science Fiction Yearbook. It has since become a fan favorite for its unique blend of Asian mythology with science fiction elements. Her short story collection, The Tea Master and Other London Gunpowder Tales, received critical acclaim upon release.
Impact and Legacy
Aliette de Bodard's writing style blends different cultures, creating rich and immersive worlds that transport readers to new environments. She is an inspiration to many writers who have followed in her footsteps, including those interested in exploring diverse themes within the science fiction and fantasy genres. Her innovative storytelling approach has contributed significantly to the development of contemporary speculative fiction.
Why They Are Widely Quoted or Remembered
Aliette de Bodard's influence can be seen through her innovative use of mythology and culture. Her writing has sparked a new wave of interest in diverse themes within science fiction and fantasy. Her ability to weave together different cultures and histories has made her stand out as one of the most talented writers of our time.
By delving into her background, accomplishments, notable works, impact, and legacy, readers can better understand why Aliette de Bodard is widely quoted or remembered in the world of science fiction and fantasy. Her unique voice and style have captured the imagination of many, solidifying her position as one of the most influential authors in contemporary speculative fiction.
Quotes by Aliette de Bodard
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Life is too short to be ringed by other people’s expectations of proper behavior.
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The lie wasn’t meant to be believed. It was just social grease, intended to keep wheels turning.
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She says – because darkness needs to be faced, needs to be denied – “You would have given me so much, in exchange for me giving up everything.
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I’ll never be what you are. I’ll never walk in your skin. But that’s the doom of all parents. And I can tell you that it goes the same way for everyone. We all stumble. We all fail. You always do the same thing: you apologize and change, again and again and again. There’ll never be a place where everything is right, but we can try our best to strive towards it. It’s the striving that defines us. That makes us different from them.
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She wanted to apologize again, but how many times could she repeat empty words without becoming empty herself?
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Ssshhh. It’s all right.” And does it matter that it’s not, if it gets them through the night?
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Anyway, the fire doesn’t matter. There will be other fires, my love, and we will survive them all.
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We’ve discussed this before. Not just other people saying yes, but whether they mean it, or whether they’re just doing it because they’re afraid.
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When I read 'Dream of Red Mansions,' I was really struck by the fact that it was built differently from a lot of genre works. Specifically, a lot of the events that should have taken centre-stage - wars, social upheavals - were seen entirely through the eyes of the women of a Chinese household.
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It certainly seems as though a great majority of genre is conflict-focused and, not only that, but focused on large physical conflicts.
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