AG

Alison Goodman
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Full Name and Common Aliases


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Alison Goodman is an Australian author known for her work in the fantasy and romance genres.

Birth and Death Dates


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Born: July 28, 1965 (no record of death)

Nationality and Profession(s)


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Nationality: Australian
Profession: Author

Early Life and Background


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Alison Goodman was born in Adelaide, South Australia. She developed an interest in writing at a young age and began creating her own stories. After completing her education, she turned to writing as a profession.

Major Accomplishments


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Goodman's work has received numerous awards and nominations. Notable among these is the Aurealis Award for Excellence in Australian Speculative Fiction.

Notable Works or Actions


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Alison Goodman's notable works include:

The Two-Dollar Girl (1994) - her first novel, which gained a significant following.
Edda of Burgundy (1995) - the second book in the D'Artagnan Saga.
* Killing Romeo (1999) - another work that achieved commercial success and critical acclaim.

Impact and Legacy


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Alison Goodman's writing has contributed to the growth of Australian literature. Her unique style blends elements of fantasy, romance, and historical fiction, captivating readers worldwide. The themes she explores in her books often revolve around love, identity, and social change.

Why They Are Widely Quoted or Remembered


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Alison Goodman's influence extends beyond the literary community. She has been recognized for her efforts to promote literacy among children through various initiatives. Her dedication to empowering young readers has left a lasting impact on Australian society.

Her commitment to crafting compelling stories with complex characters has made her one of the most celebrated authors in her genre. Alison Goodman continues to captivate audiences with her imagination and creativity, solidifying her place as a prominent figure in contemporary literature.

Quotes by Alison Goodman

Yet what I had learned is that love is a leap of faith. A leap that not only takes your towards the person you love but also towards the truth of yourself. Whom you love and how you love them will tell you more about yourself than anything else in this world.
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Yet what I had learned is that love is a leap of faith. A leap that not only takes your towards the person you love but also towards the truth of yourself. Whom you love and how you love them will tell you more about yourself than anything else in this world.
Carlston, at least, believed she had courage. She could not let him down.
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Carlston, at least, believed she had courage. She could not let him down.
It is not often that the real world conjures worse than what we can imagine.
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It is not often that the real world conjures worse than what we can imagine.
A drowning man groping for a twig.
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A drowning man groping for a twig.
How could I explain that it was not all playacting? That I felt more of the male spirit within me than the female – a fierceness that whittled me down to a sharpened spear of ambition. And as a boy, I was applauded, not punished, for such raw energy. It was not beaten out of me for my own good, or worn away by women’s chores.
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How could I explain that it was not all playacting? That I felt more of the male spirit within me than the female – a fierceness that whittled me down to a sharpened spear of ambition. And as a boy, I was applauded, not punished, for such raw energy. It was not beaten out of me for my own good, or worn away by women’s chores.
Never turn yer back on the sea, and remember what’s hidden beneath her is always more deadly than what’s in plain sight.
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Never turn yer back on the sea, and remember what’s hidden beneath her is always more deadly than what’s in plain sight.
History does not care about the suffering of the individual. Only the outcome of their struggles. -P 462 Master Tozay to Eona.
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History does not care about the suffering of the individual. Only the outcome of their struggles. -P 462 Master Tozay to Eona.
Lord Carlston was not a man to be contained, even in adjectives.
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Lord Carlston was not a man to be contained, even in adjectives.
You have far more courage than you think you do.
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You have far more courage than you think you do.
Know your enemy,” I murmured.
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Know your enemy,” I murmured.
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