I speak from a black woman's perspective, and that's a specific perspective, but sometimes there are things I want to be understood by folks who may not have an entryway into that concept, so I have to think about how I can open the space to bring those people in. And that does require balance.

I want to be able to do what I want to do and have people care about it.

I want to see my career evolve into limitlessness.

I know some people would be like, 'Why are you responding to these racists on Twitter?' Sometimes it's for the purpose of letting them know they're being watched and that they're going to have to answer for their words.

I've always been funny, but I never considered it as a particular career path until my early 30s, when I realized that hip-hop wasn't going to be the long term.

Comedy has allowed me to be my 100-percent-true self, as opposed to other places, where I feel like that's been a hindrance. Whether it's music or poetry or hosting, people want you to be something else: they want you to be packaged in a certain way.

The truth is what facts are. I like facts. I like things to line up and be clear, and when we are honest and true about things, it helps things to make sense, and it cuts out a lot of the fat that gets in the way and causes for the misunderstandings that I believe lead to violence and... dysfunction, etc.

My mom is an incredibly direct person, and I like things to make sense.

If I couldn't get to where I wanted to by being my organic self - which is a smart, funny, unapologetically black woman - then I felt like it's not worth doing it if I can't do it the most organic way possible. Which is why I left the music business.

I definitely am very secure with my body and my likes and dislikes and the imperfections that some might call flaws. I'm like, 'Those are my thighs; it's just what it is.' I think a lot of that has to do also with... women being a lot more vocal about the fact that, you know, being flawless is false.