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Anne Elisabeth Stengl

44quotes

Anne Elisabeth Stengl


Full Name and Common Aliases

Anne Elisabeth Stengl was a British-American author of Christian fantasy novels.

Birth and Death Dates

Born on September 20, 1981, she passed away in June 2022.

Nationality and Profession(s)

Stengl held dual nationality as a Briton and an American. She worked primarily as an author, specializing in the young adult and children's literature genres.

Early Life and Background

Growing up in a Christian family in England, Anne Elisabeth Stengl was exposed to a rich literary heritage from a young age. Her parents' extensive home library inspired her love for reading, which would eventually shape her writing career. As she matured, Stengl developed an interest in fantasy literature, particularly the classic works of C.S. Lewis and George MacDonald.

Major Accomplishments

Stengl's most notable achievement is her contribution to the Christian fantasy genre through her popular "Tales of Goldstone Wood" series. This series comprises five novels: _Heartless_, _Dragon Seed_, _Starflower_, _Moonblood_, and _Sparks of Light_. These books have garnered critical acclaim for their unique blend of myth, magic, and biblical themes.

Notable Works or Actions

A key aspect of Stengl's writing style was her ability to weave complex characters and storylines while maintaining a strong moral compass. Her novels often explored the tension between good and evil, encouraging readers to reflect on the nature of morality and faith. _Heartless_, the first book in the "Tales of Goldstone Wood" series, received particular praise for its well-crafted narrative and vivid world-building.

Impact and Legacy

Stengl's work has had a significant impact on the Christian fantasy genre, inspiring a new generation of authors to explore similar themes and styles. Her commitment to creating stories that not only entertained but also challenged readers' perspectives has earned her a devoted following among fans of Christian fiction. Stengl's legacy extends beyond her novels; she has also influenced many readers to re-examine their faith and moral compass.

Why They Are Widely Quoted or Remembered

Anne Elisabeth Stengl is widely quoted and remembered for her thought-provoking and imaginative storytelling. Her unique blend of fantasy and Christian themes continues to captivate readers, making her a beloved figure in the literary community. Through her work, Stengl has left an enduring mark on the genre, inspiring countless authors, artists, and thinkers to explore the intersection of faith, morality, and creativity.

Stengl's writing often grappled with complex questions about human nature, encouraging readers to contemplate their own values and motivations. Her legacy serves as a testament to the power of literature to inspire, challenge, and transform individuals. As a writer who was deeply committed to her craft and her faith, Anne Elisabeth Stengl will be remembered for generations to come as a masterful storyteller and a champion of the Christian fantasy genre.

Quotes by Anne Elisabeth Stengl

Anne Elisabeth Stengl's insights on:

I wonder,” he said after a long silence, “what will happen if I open my eyes?” The Prince of the Farthest Shore, sitting beside him, answered, “You’ll see things as they are.” Alistair shuddered. Since that moment of red mouth and black teeth and pain like ripping fire, he wasn’t convinced he wanted to see things as they were. “Maybe,” he said, “I’d rather sit here in the dark.” “No, you wouldn’t,” said the Prince, and there was a smile in his voice.
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I wonder,” he said after a long silence, “what will happen if I open my eyes?” The Prince of the Farthest Shore, sitting beside him, answered, “You’ll see things as they are.” Alistair shuddered. Since that moment of red mouth and black teeth and pain like ripping fire, he wasn’t convinced he wanted to see things as they were. “Maybe,” he said, “I’d rather sit here in the dark.” “No, you wouldn’t,” said the Prince, and there was a smile in his voice.
AE
Poets, as you probably are aware, are pretty keen on the emotions, turmoils, and such-like of the soul. Some might even call us empathetic.
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Poets, as you probably are aware, are pretty keen on the emotions, turmoils, and such-like of the soul. Some might even call us empathetic.
AE
She was the sort of person from whom one would expect to receive warm cookies, not plots.
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She was the sort of person from whom one would expect to receive warm cookies, not plots.
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I’m worthless,” Lionheart says. “I couldn’t save her. I couldn’t redeem my honor.” “You never can,” the Prince replies. He takes Lionheart by the shoulders and forces him to sit up, to face him. “But do you think my grace insufficient to forgive you?
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I’m worthless,” Lionheart says. “I couldn’t save her. I couldn’t redeem my honor.” “You never can,” the Prince replies. He takes Lionheart by the shoulders and forces him to sit up, to face him. “But do you think my grace insufficient to forgive you?
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For you are mine now. Forever.
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For you are mine now. Forever.
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I wore white peonies in my hair the night I met your father... He said I looked like a Faerie princess.
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I wore white peonies in my hair the night I met your father... He said I looked like a Faerie princess.
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There is a moment that comes into every life when the right word, the right look even, could change the shape of the world forever. The wrong one could as well, though the resulting shape would be different. No word at all, however, and the moment slips by, and things remain unsaid that perhaps should have been said, perhaps shouldn’t, and no one can ever know for sure.
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There is a moment that comes into every life when the right word, the right look even, could change the shape of the world forever. The wrong one could as well, though the resulting shape would be different. No word at all, however, and the moment slips by, and things remain unsaid that perhaps should have been said, perhaps shouldn’t, and no one can ever know for sure.
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What’s the good of a story that ain’t got a happy endin’?
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What’s the good of a story that ain’t got a happy endin’?
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An awkward silence followed these bold declarations, because while both parties spoke with passion, one was a dying youth and one a ragged peasant girl with straw in her hair and no shoes. Neither was the stuff of heroes and legends, and both knew it.
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An awkward silence followed these bold declarations, because while both parties spoke with passion, one was a dying youth and one a ragged peasant girl with straw in her hair and no shoes. Neither was the stuff of heroes and legends, and both knew it.
AE
She felt herself caught up in the greatness of a story far too big for her mortal understanding, caught up and carried in a rolling current. But she was unafraid. For the first time, she believed she was truly alive.
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She felt herself caught up in the greatness of a story far too big for her mortal understanding, caught up and carried in a rolling current. But she was unafraid. For the first time, she believed she was truly alive.
AE
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