The more opportunities people have to experience television on different platforms, the more television they consume overall. So there actually has been a benefit, but the ratings have gone down. But we’ve seen kind of the horizontal benefit of this. And it remains a great, great promotion engine.

I am so very honored to be the recipient of MIPCOM’s 2011 Personality of the Year. However, the accomplishments that have led to this honor are not mine alone. They are the result of the tireless efforts of so very many talented colleagues.

I look at power as the ability to get people motivated and to get them to do things that maybe they don’t think are important but, in the end, are in pursuit of something greater than themselves.

I think the must-have power qualities for a female or male power leader are really the ability to focus, to work hard, to be extremely goal oriented and to not let the noise and the nonsense interfere with your mission – what you really feel you want to do with your career and your life.

My theme song is always: ‘Pay attention to your viewer. Follow them.’

While I was in college, I became a page at ABC. Suddenly I was working for Good Morning America, local news, national news. The page is the lowest rung of the ladder, and it’s the also the place where you can ask any question and not feel dumb.

I really moved through my career based on curiosity about something. I never looked at a title and said, ‘I want that.’

Our future is only limited by our commitment to keep the momentum going. Now that television has been set free from all constraints – including time, place, and all previous definitions – what comes next?

I remember when cable happened and everyone said broadcast was dead, and then satellite happened and everyone said cable was dead, and then DVDs happened and everyone said everything was over. Nothing was over. I’m very optimistic about the future.

Art has been good for my soul. And it’s been good for my brain. I think I’m a better painter now than I was a musician growing up. You struggle to see things and translate an image through your hands to a canvas.