As soon as you put something to bed like the 'Women' book, you're never finished. There were portraits of people that I wanted to photograph - it's an endless subject.

I feel more like a creative artist using photography because there's - the digital work is so interesting now. It's come to that. I have had many different stages of photography - there are many different ways to take photos. But I feel now I'm in that stage of my life where I use the camera, you know, in that way.

I was scared when I went to Conde Nast. I had heard horror stories about how they used you up and then spit you out and went on. But there was this great history of photography that had been done there.

I was with Tom Wolfe at the launch of Apollo 17, which led him to 'The Right Stuff.'

As fantastic as it is to have 'Vogue' and 'Vanity Fair' as places to work, I don't often get to shoot the kind of things I like to photograph in the way I like to photograph.

There certainly are people who are a pain to work with. I'd be crazy to name them. You can't be indiscreet in this business.

I try to be home for dinner, but I'm not there enough. I sometimes feel I'm still fumbling, getting it wrong, but I make my way.

As a young person, and I know it's hard to believe that I was shy, but you could take your camera, and it would take you to places: it was like having a friend, like having someone to go out with and look at the world. I would do things with a camera I wouldn't do normally if I was just by myself.

I love photography. And I just eat it up. I feel like I'm an encyclopedia, you know, inside.

There's not enough talked about in terms of growing older. You start to lose your body.