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Antony Gormley
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Full Name and Common Aliases


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Antony Mark David Gormley CBE RA is a British sculptor known for his large-scale public installations that explore the relationship between body and space.

Birth and Death Dates


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Born on August 30, 1950, in London, England. (Still alive)

Nationality and Profession(s)


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British Sculptor, Artist, and Educator

Early Life and Background


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Gormley was born to an English mother and a British father of Russian descent. He grew up in North London, where he developed a fascination with the human body and its relationship to space. Gormley's early interest in sculpture led him to study at Saint Martin's School of Art in London, graduating in 1977.

Major Accomplishments


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Gormley has received numerous accolades for his work, including:

In 1998, he was appointed a Commander of the Order of the British Empire (CBE) by Queen Elizabeth II.
He was elected as a Royal Academician (RA) in 2003 and became a member of the Academy of Arts in Berlin in 2011.
Gormley has been awarded honorary degrees from several institutions, including the University of London and the University of Cambridge.

Notable Works or Actions


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Gormley's notable works include:

_Another Time XIX_ (1989): A series of sculptures depicting the human figure in various states of disintegration.
_Event Horizon_ (2010-2011): A public installation featuring a group of individuals standing on a rooftop, looking out over the city.
_Angel of the North_ (1998-2002): A large steel sculpture depicting an angel figure with outstretched arms, located in Gateshead, England.

Impact and Legacy


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Gormley's work has had a profound impact on modern art. His emphasis on the human body as a site for artistic exploration has influenced generations of artists and sculptors. Gormley's commitment to creating public installations that engage with the surrounding environment has also helped to redefine the role of sculpture in contemporary culture.

Why They Are Widely Quoted or Remembered


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Gormley is widely quoted and remembered for his insightful comments on art, the human body, and the relationship between individual and society. His quotes often reflect his deep understanding of the complexities of modern life and his commitment to using art as a tool for social commentary.

By exploring Gormley's biography and quotes, readers can gain a deeper understanding of the artist's vision, values, and creative process.

Quotes by Antony Gormley

Antony Gormley's insights on:

'6 Times' is an attempt to reinvestigate the social responsibility of sculpture. The body in question is a particular body, but it doesn't really matter whose it is.
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'6 Times' is an attempt to reinvestigate the social responsibility of sculpture. The body in question is a particular body, but it doesn't really matter whose it is.
Making beautiful things for everyday use is a wonderful thing to do - making life flow more easily - but art confronts life, allowing it to stop and perhaps change direction - they are completely different.
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Making beautiful things for everyday use is a wonderful thing to do - making life flow more easily - but art confronts life, allowing it to stop and perhaps change direction - they are completely different.
I always like to look for adventure when I go away. I have gone on several horse adventures with my wife – from Guangxi we went up to the High Tibetan region. We also went along the Hurunui River on horseback in the South Island of New Zealand.
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I always like to look for adventure when I go away. I have gone on several horse adventures with my wife – from Guangxi we went up to the High Tibetan region. We also went along the Hurunui River on horseback in the South Island of New Zealand.
I was educated by monks – I thank them dearly for the education they gave me, but I am no longer a Catholic.
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I was educated by monks – I thank them dearly for the education they gave me, but I am no longer a Catholic.
Maybe this is a utopian view of art but I do believe that art can function as a vehicle, that it isn’t just a cultural pursuit, something that happens in art galleries. Unless art is linked to experience and the fear and joy of that, it becomes mere icing on the cake.
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Maybe this is a utopian view of art but I do believe that art can function as a vehicle, that it isn’t just a cultural pursuit, something that happens in art galleries. Unless art is linked to experience and the fear and joy of that, it becomes mere icing on the cake.
I believe in the city as a natural human environment, but we must humanize it. It’s art that will re-define public space in the 21st Century. We can make our cities diverse, inspirational places by putting art, dance and performance in all its forms into the matrix of street life.
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I believe in the city as a natural human environment, but we must humanize it. It’s art that will re-define public space in the 21st Century. We can make our cities diverse, inspirational places by putting art, dance and performance in all its forms into the matrix of street life.
Art is the means by which we communicate what it feels like to be alive – in the past, that was mixed up with other illustrative duties, but that was still its central function that has been liberated in the art called modern.
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Art is the means by which we communicate what it feels like to be alive – in the past, that was mixed up with other illustrative duties, but that was still its central function that has been liberated in the art called modern.
Art is not about objects of high monetary exchange. It’s about reasserting our firsthand experience in present time.
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Art is not about objects of high monetary exchange. It’s about reasserting our firsthand experience in present time.
We’re not on a journey to a goal, the goal is with us changing with us.
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We’re not on a journey to a goal, the goal is with us changing with us.
Our appearance belongs to others, we live in the darkness of the body-part of all darkness but felt.
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Our appearance belongs to others, we live in the darkness of the body-part of all darkness but felt.
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