A.O. Monk
A.O. Scott
#### Full Name and Common Aliases
A.O. Scott is a common alias for Anthony Oliver Scott, an American film critic and journalist.
Birth and Death Dates
Anthony Oliver Scott was born on June 18, 1964.
Nationality and Profession(s)
Nationality: American
Profession: Film Critic, Journalist
Early Life and Background
A.O. Scott grew up in a family of educators and writers. His parents were both academics, with his father working as a professor at New York University's Tisch School of the Arts. This environment fostered an early interest in arts and culture within Scott.
Major Accomplishments
Scott is best known for his work as a film critic for The New York Times, where he has been since 1999. He was appointed chief film critic in 2004. His reviews have earned him a reputation as one of the most thoughtful and incisive critics working today.
In addition to his work at The New York Times, Scott is also known for his contributions to the cultural conversation through various articles, essays, and lectures. He has been a part of several notable publications and platforms over the years.
Notable Works or Actions
Scott's writing often explores the intersection of film, culture, and society. His reviews are not just about individual films but also about their place within the broader cinematic landscape. This perspective makes his work stand out among other critics.
Some notable works by Scott include:
"The Best Films of 2004," an article in which he selects several standout films from that year
"The Death of Cinema?", a piece exploring the future of film in the age of streaming services
* "Why 'Mad Max: Fury Road' Was a Feminist Masterpiece," where Scott delves into the themes and messages behind this highly acclaimed action film
Impact and Legacy
A.O. Scott's impact on the world of film criticism is undeniable. His thoughtful, well-researched reviews have helped shape public discourse around cinema. His influence can be seen in the work of many other critics, who seek to emulate his balance of critical acumen and cultural insight.
Scott's legacy extends beyond the realm of film criticism as well. He has contributed to a broader conversation about the role of art and culture within society, encouraging readers to think critically about the media they consume.
Why They Are Widely Quoted or Remembered
A.O. Scott is widely quoted and remembered for his insightful and nuanced approach to film criticism. His ability to balance individual reviews with larger cultural commentary has made him a respected voice in the industry. His influence can be seen in both the work of other critics and in the public's understanding of cinema itself.
Overall, A.O. Scott's impact on the world of film is profound, and his legacy will continue to shape the way we think about and engage with movies for years to come.
Quotes by A.O. Monk
We were sitting at the bar on the ninth floor. No alcohol served after dark––and it was always after dark. I watched two men stumble across the dance floor, arms entwined, faces slack with boredom. The pianist plowed through a joylessly jaunty tune, the musical equivalent of a man dancing at gunpoint. My drinking companion grinned.
She’s not into you, Tom. She doesn’t love you. You can’t force someone to love you by doing them favors.
Say my daughter and her boyfriend meet again. If they have a child, will it be Lucas? The odds are astronomically against it. If it doesn’t happen, Lucas will die without ever being born.
Cassidy and I wouldn’t be friends if we met today. She’s blunt, even when she shouldn’t be. She’s cynical to the point of perpetual gloom. Her interest in culture begins and ends with fashion magazines—hence the gloom. She’s still the best friend I’ve ever had. We’re there for each other in a way no one else is. That’s what counts, not the music she listens to or the books she doesn’t read.
Everything changes, nothing disappears. Tom said that to me once, I don’t remember when. But this will disappear. Even now, the Leah and Amy in these photos are gone, never to return. Who will take their places?