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Art Spiegelman

59quotes

Art Spiegelman: A Life of Cartoons and Commentary


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#### Full Name and Common Aliases
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Art Spiegelman's full name is Artis Leon Irvinger Spiegelman. He is commonly known as Art Spiegelman.

#### Birth and Death Dates
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Born on February 15, 1948, in Stockholm, Sweden, to Polish Jewish parents who were living abroad due to the war. Art Spiegelman passed away is not relevant for this section as we are writing a biography about his life and work.

#### Nationality and Profession(s)
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Art Spiegelman's nationality is American, although he was born to Polish Jewish parents in Sweden. He is a cartoonist, illustrator, painter, and writer who has made significant contributions to the world of comics and graphic novels.

#### Early Life and Background
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Growing up in Rego Park, Queens, New York, Art Spiegelman developed an interest in art at a young age. His father, Vladek Spiegelman, was a Holocaust survivor who struggled with PTSD and depression. This would later influence Art's work, particularly in his most famous creation, _Maus_.

As a teenager, Art became fascinated with the world of comics, citing influences such as EC Comics, Dr. Seuss, and Will Eisner. He attended New York City College of Technology (then known as the Brooklyn Technical High School) before dropping out to pursue a career in cartoons.

#### Major Accomplishments
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Art Spiegelman's most notable work is undoubtedly _Maus_ (1986-1991), a Holocaust-themed graphic novel that tells the story of his father's experiences during World War II. The book won a Pulitzer Prize in 1992, making it the first comic book to receive this honor.

Spiegelman has also worked as an editor for _Raw Magazine_, which he co-founded with his wife, Françoise Mouly. This influential publication showcased the work of many emerging cartoonists and played a significant role in the development of alternative comics.

#### Notable Works or Actions
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In addition to _Maus_, Art Spiegelman has created several other notable works, including:

Breakdowns (1977), his first published comic strip collection
 Little Lit (2000-2001), a children's book series he edited with Mouly
In the Shadow of No Towers (2004), a response to 9/11 and its aftermath

Spiegelman has also been recognized for his contributions to the world of comics, including an Eisner Award for Lifetime Achievement in 1992.

#### Impact and Legacy
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Art Spiegelman's work has had a profound impact on the comic book industry and beyond. _Maus_ not only humanized the Holocaust but also brought attention to the importance of graphic storytelling as a medium.

Spiegelman's exploration of themes such as identity, trauma, and social commentary has influenced generations of cartoonists and writers. His innovative use of comics as a tool for historical documentation and personal reflection has paved the way for future generations of creators.

#### Why They Are Widely Quoted or Remembered
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Art Spiegelman's influence extends far beyond his own work. He is widely quoted and remembered for:

Pioneering the use of comics as a medium for historical documentation
Exploring themes of identity, trauma, and social commentary in his work
 Innovating the graphic novel format with _Maus_

As a pioneer in the world of comics, Art Spiegelman's legacy continues to inspire new generations of cartoonists, writers, and artists. His commitment to using comics as a tool for storytelling, commentary, and social change has left an indelible mark on our collective cultural landscape.

Quotes by Art Spiegelman

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Sometimes I don’t feel like a functioning adult.
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I think a lot of America turned to art and culture after Sept. 11. I know the sales of bibles went shooting up, but so did the sales of poetry. I think in a crisis one looks to one’s culture, partially to give validation to why one would want that culture to survive.
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I’m supposed to be making comics, so I had to do it the best way I knew how, which is what those guys at the beginning of the Twentieth Century were doing.
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I would say that, in the future, the book will be reserved for things that function best as a book. So, if I need a textbook that’s going to be out of date because of new technological inventions, you’re better off having it where you can download the supplements or the update.
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There’s a therapeutic aspect to all making, but the nature of working is to compress, condense, and shape stuff, not to just expunge it. It’s not just an exorcism.
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In 1908, you could easily earn $20 to $200 as a cartoonist. What’s amazing is that it’s still true!
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What’s called art now probably has some legitimate things happening in it, but I’ve become more and more distrustful of a lot of it because it seems like an extension of the fashion trade and the stock market.
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Comics seem to be cooking these days. It’s like being a rock star.
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Style is a capitalist invention. It’s a trademark. It’s very useful in the world of commerce to have a good trademark, but it wasn’t my first concern. I got restless.
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I became a degenerate artist. My parents were shaped by their own experiences, and artists weren’t so useful in the death camps.
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