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Barry Levinson


Full Name and Common Aliases


Barry Levinson is a renowned American film director, producer, screenwriter, actor, and novelist.

Birth and Death Dates


Born on August 6, 1942 (still active)

Nationality and Profession(s)


Levinson holds dual citizenship of the United States and Canada. His profession primarily revolves around filmmaking and writing, with notable contributions to the world of cinema as a director, producer, and screenwriter.

Early Life and Background


Barry Levinson was born in Baltimore, Maryland, to a family that encouraged his creative pursuits from an early age. Growing up in the 1940s and '50s, he developed a keen interest in writing and storytelling. After graduating from Forest Park High School, Levinson attended the University of Illinois but dropped out before completing his degree.

Major Accomplishments


Throughout his illustrious career, Barry Levinson has achieved numerous accolades for his work. Notably:

His film Diner (1982) showcased his unique storytelling style and received critical acclaim.
The movie Rain Man (1988) not only earned him the Academy Award for Best Director but also won several other prestigious awards, including the Golden Globe for Best Motion Picture - Drama and the BAFTA Award for Best Film.
Levinson's Bugsy (1991), a biographical crime drama about infamous gangster Bugsy Siegel, was nominated for seven Academy Awards.

Notable Works or Actions


Some of his notable works include:

Tin Men (1987)
Good Morning, Vietnam (1987)
Bugsy
* You Don't Know Jack

These films have demonstrated Levinson's versatility as a director and his ability to tackle various genres.

Impact and Legacy


Barry Levinson has left an indelible mark on the film industry through his innovative storytelling, memorable characters, and exploration of complex themes. His dedication to his craft has inspired numerous aspiring filmmakers worldwide.

Why They Are Widely Quoted or Remembered


As a celebrated filmmaker and writer, Barry Levinson is widely quoted for his insightful thoughts on the art of filmmaking. His legacy as a masterful storyteller continues to captivate audiences and influence contemporary cinema.

Barry Levinson's impact on the film industry extends far beyond his impressive body of work.

Quotes by Barry Levinson

Barry Levinson's insights on:

If you create a visual that actually captures the imagination, that's not real. It will look real, and that will spread at such lightning speed that by the time it's found out, it has already done its damage. It's a very, very scary time that we're living in. I say it's an age of absurdity.
"
If you create a visual that actually captures the imagination, that's not real. It will look real, and that will spread at such lightning speed that by the time it's found out, it has already done its damage. It's a very, very scary time that we're living in. I say it's an age of absurdity.
We are a divided nation in the worst sense of the word, and we don't hear the other side.
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We are a divided nation in the worst sense of the word, and we don't hear the other side.
'Wag' is not some kind of documentary; it's just looking at the tools that are available. Now you've got more tools - you've got social media - and just post stories through all types of back channels that can get some traction.
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'Wag' is not some kind of documentary; it's just looking at the tools that are available. Now you've got more tools - you've got social media - and just post stories through all types of back channels that can get some traction.
You need to be open and explore while heading where you want to go. You can never be too in love with your own ideas. If you can remember every idea that is yours in a script, as opposed to someone else's, then something is wrong.
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You need to be open and explore while heading where you want to go. You can never be too in love with your own ideas. If you can remember every idea that is yours in a script, as opposed to someone else's, then something is wrong.
Writing with a partner is, in some ways, an easy but odd process. Two people come into a room and look to each other for motivation. One might not be in the right mood at any given moment. And somehow, you begin; somehow, out of your exchange of thoughts, something engages both of you, and the process of collaboration begins.
"
Writing with a partner is, in some ways, an easy but odd process. Two people come into a room and look to each other for motivation. One might not be in the right mood at any given moment. And somehow, you begin; somehow, out of your exchange of thoughts, something engages both of you, and the process of collaboration begins.
You used to need a big camera to direct, but now, anyone with an iPhone can tell a story visually. You can film something. You can start off with a five-minute story, then a 10-minute story.
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You used to need a big camera to direct, but now, anyone with an iPhone can tell a story visually. You can film something. You can start off with a five-minute story, then a 10-minute story.
My advice is that it's easier to write than direct. If you have an interest in writing, write. You might as well start with yourself or some event you know well, and you need a point of view.
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My advice is that it's easier to write than direct. If you have an interest in writing, write. You might as well start with yourself or some event you know well, and you need a point of view.
The more pressure that an actor puts on himself, the harder it is to deliver behavior that's interesting, and so I just try to find a way without talking too much.
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The more pressure that an actor puts on himself, the harder it is to deliver behavior that's interesting, and so I just try to find a way without talking too much.
There is always a hesitancy with actors, and inhibitions can get into the work, so you have to figure out how to make it feel so loose that you can do anything, and if it is not right, that is okay because we'll do it again.
"
There is always a hesitancy with actors, and inhibitions can get into the work, so you have to figure out how to make it feel so loose that you can do anything, and if it is not right, that is okay because we'll do it again.
Some stories seem to lend themselves to telling right away. 'All The President's Men' was done, what, four or five years after the event? It certainly seemed to work there, as opposed to something that happened 40 years ago.
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Some stories seem to lend themselves to telling right away. 'All The President's Men' was done, what, four or five years after the event? It certainly seemed to work there, as opposed to something that happened 40 years ago.
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