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Quotes by Bertolt Brecht

Bertolt Brecht's insights on:

On my wall hangs a Japanese carving, / The mask of an evil demon, decorated with gold lacquer. / Sympathetically I observe / The swollen veins of the forehead, indicating / What a strain it is to be evil.
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On my wall hangs a Japanese carving, / The mask of an evil demon, decorated with gold lacquer. / Sympathetically I observe / The swollen veins of the forehead, indicating / What a strain it is to be evil.
To those who do not know that the world is on fire, I have nothing to say.
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To those who do not know that the world is on fire, I have nothing to say.
Hungry man, reach for the book: it is a weapon.
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Hungry man, reach for the book: it is a weapon.
What kind of a crime is the robbing of a bank, compared to the founding of a bank?
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What kind of a crime is the robbing of a bank, compared to the founding of a bank?
Near my bed, to my pain / The last thing at night, the first thing in the morning, / Of their victories and of my cares, /Promise me not to go silent all of a sudden.
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Near my bed, to my pain / The last thing at night, the first thing in the morning, / Of their victories and of my cares, /Promise me not to go silent all of a sudden.
You little box, held to me escaping / So that your valves should not break / Carried from house to house to ship from sail to train, / So that my enemies might go on talking to me.
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You little box, held to me escaping / So that your valves should not break / Carried from house to house to ship from sail to train, / So that my enemies might go on talking to me.
There must always be some who are brighter and some who are stupider. The latter make up for it by being better workers.
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There must always be some who are brighter and some who are stupider. The latter make up for it by being better workers.
Art is not a mirror held up to reality, but a hammer with which to shape it.
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Art is not a mirror held up to reality, but a hammer with which to shape it.
I don't think the traditional form of theatre means anything any longer. Its significance is purely historic.
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I don't think the traditional form of theatre means anything any longer. Its significance is purely historic.
How can the theatre be both entertaining and instructive at the same time?
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How can the theatre be both entertaining and instructive at the same time?
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