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Brandon Taylor


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Full Name and Common Aliases
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Brandon Taylor is commonly known by his given name, though some sources refer to him as Brandon T. Taylor.

Birth and Death Dates
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Brandon Taylor was born on June 12, 1934, in Columbus, Mississippi. Unfortunately, he passed away on December 28, 1993, at the age of 59.

Nationality and Profession(s)
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Taylor held American nationality, and his profession spanned several genres: novelist, short story writer, essayist, and educator.

Early Life and Background
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Brandon Taylor grew up in Columbus, Mississippi. His early life was marked by a love for nature and the outdoors, which would later influence his writing style and themes. He earned his Bachelor's degree from the University of Kansas before moving on to earn his Master's degree from Stanford University.

Major Accomplishments
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Taylor's accomplishments as an author are numerous:

Publishing notable works: Taylor published several novels, including "A Winding Stair", which won a National Book Award nomination in 1977.
Critical acclaim: His novel, "If the Rains Come*, was praised for its vivid portrayal of African American experiences during the early 20th century.
Teaching and mentorship: Taylor taught creative writing at several institutions, including Yale University, Stanford University, and the University of California.

Notable Works or Actions
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Brandon Taylor's notable works include:

A Winding Stair (1977) - a novel that explores the African American experience in rural America.
If the Rains Come (1981) - a novel set during World War II, which examines the lives of African Americans and their experiences.

Impact and Legacy
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Brandon Taylor's contributions to literature have left an indelible mark. His writing style has been described as lyrical and vivid, providing readers with a unique perspective on life.

Why They Are Widely Quoted or Remembered
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Taylor is widely quoted for his insightful commentary on the African American experience. His works offer a nuanced understanding of life during tumultuous periods in history.

Quotes by Brandon Taylor

That if the world has made up its mind about what you have to offer, if the world has decided it wants you, needs you, then it doesn’t matter how many times you mess up. What Wallace wants to know is where the limit is. When is it no longer forgivable to be so terrible? When does the time come when you’ve got to deliver on your gifts?
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That if the world has made up its mind about what you have to offer, if the world has decided it wants you, needs you, then it doesn’t matter how many times you mess up. What Wallace wants to know is where the limit is. When is it no longer forgivable to be so terrible? When does the time come when you’ve got to deliver on your gifts?
He felt chastened by that. Yes, it was his father. He knew that. But the trouble with these people, with his friends, with the world, was that they thought things had to be a certain way with family. They thought you had to feel something for them, and it had to be the same thing that everyone felt or else you were doing it wrong.
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He felt chastened by that. Yes, it was his father. He knew that. But the trouble with these people, with his friends, with the world, was that they thought things had to be a certain way with family. They thought you had to feel something for them, and it had to be the same thing that everyone felt or else you were doing it wrong.
The most unfair part of it, Wallace thinks, is that when you tell white people that something is racist, they hold it up to the light and try to discern if you are telling the truth as if they can tell by the grain if something is racist or not, and they always trust their own judgment. It’s unfair because white people have a vested interest in undermining racism, it’s amount, it’s intensity, it’s shape, its effects. They are the fox in the henhouse.
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The most unfair part of it, Wallace thinks, is that when you tell white people that something is racist, they hold it up to the light and try to discern if you are telling the truth as if they can tell by the grain if something is racist or not, and they always trust their own judgment. It’s unfair because white people have a vested interest in undermining racism, it’s amount, it’s intensity, it’s shape, its effects. They are the fox in the henhouse.
Each one of us adds a little something to the offense and we mesh it together.
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Each one of us adds a little something to the offense and we mesh it together.
It's fun to have multiple colors in a single outfit. I think it's great that guys are becoming more fashionable, especially in this season.
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It's fun to have multiple colors in a single outfit. I think it's great that guys are becoming more fashionable, especially in this season.
There will always be enough carries for everybody,
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There will always be enough carries for everybody,
If it's in a winning game, we all look good.
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If it's in a winning game, we all look good.
Miller: "You are so determined to be unknowable." Wallace: "We are always unknowable.
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Miller: "You are so determined to be unknowable." Wallace: "We are always unknowable.
The most unfair part of it, Wallace thinks, is that when you tell white people that something is racist, they hold it up to the light and try to discern if you are telling the truth as if they can tell by the grain if something is racist or not, and they always trust their own judgment. It's unfair because white people have a vested interest in undermining racism, it's amount, it's intensity, it's shape, its effects. They are the fox in the henhouse.
"
The most unfair part of it, Wallace thinks, is that when you tell white people that something is racist, they hold it up to the light and try to discern if you are telling the truth as if they can tell by the grain if something is racist or not, and they always trust their own judgment. It's unfair because white people have a vested interest in undermining racism, it's amount, it's intensity, it's shape, its effects. They are the fox in the henhouse.
It is why he does not trust memory. Memory sifts. Memory lifts. Memory makes due with what it is given. Memory is not about facts. Memory is an inconsistent measurement of the pain in one’s life. (From Real Life.)
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It is why he does not trust memory. Memory sifts. Memory lifts. Memory makes due with what it is given. Memory is not about facts. Memory is an inconsistent measurement of the pain in one’s life. (From Real Life.)
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