An orchestra can add some class, a historical vibe, but I believe you can get the same emotion from pottery wheels.

There's nothing worse than being stuck with a bad song.

To me, 'Auto Music' wasn't work. It was in-between work.

When my parents got divorced, I wanted to spend my time laying in the garage listening to the washer and dryer. Loud, immersive, changing. It was music to me.

With 'Hannibal,' I just really want people to feel something.

I've put a lot of records out and a lot of soundtracks, and 'Hannibal' is kind of a special one.

'Auto Music' isn't a pop record by any stretch.

Music as a business is a dirty thing.

I'm always full of ideas. I just haven't stopped doing what I did as a teenager. Now I just happen to get paid for it!

I work on everything, whether it's a film or TV show - I wouldn't even consider 'American Gods' a TV show. I don't even know what it is.