I don't feel the need to prove myself by writing the next generational novel.

One of the things I'm really good at is procrastinating.

I do listen to Abba. And a lot of '80s and '90s pop music.

People in Sweden talk a lot about the weather - how much we hate it. But Finns get more depressed.

Swedish taxes are high, and we don't get as much as we used to for them. And our schools aren't so good.

The pace of Swedish crime fiction is slower - Stieg Larsson's the exception. And I think we use the environment more.

In Sweden, we've moved away from the notion that mothers have some magical, special bond with children.

I've always viewed myself as a brand. When I started 10 years ago, that was very controversial. 'Marketing' and 'PR' were dirty words for the literary world, but that has changed. Once the book is finished, I want as many people as possible to read it.

Northern Sweden holds a special kind of magic. It's cold, lonely, and the people are tough and silent, or so the stereotype says. This is Asa Larsson's home turf and I find as much joy in reading her closely observed descriptions of the environment, as in following her intriguing plots.

If I can hit No. 1 on the 'New York Times' best-seller list, I'm thinking of having the entire list tattooed on my body somewhere. It would be fabulous.