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Dario Argento

91quotes

Dario Argento
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Full Name and Common Aliases


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Born Gualtiero Tumiati on September 5, 1940, Dario Argento is a renowned Italian film director, screenwriter, and producer. He is commonly known as "The Maestro of Macabre" for his work in the horror genre.

Birth and Death Dates


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Dario Argento was born on September 5, 1940, and is still alive today.

Nationality and Profession(s)


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Italian by birth, Dario Argento is a film director, screenwriter, and producer. He has also worked as an editor, often collaborating with his sister, Claudio Argento.

Early Life and Background


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Dario Argento was born in Rome, Italy, to Oreste Tumiati, a physician, and Lidia Ruggeri, an architect. His early life was marked by tragedy when his father was killed during World War II. This event had a profound impact on Argento's future work, influencing the dark and eerie themes he would later explore in his films.

Growing up in post-war Italy, Dario Argento developed a passion for cinema at a young age. He began working in the film industry as an assistant editor for various Italian filmmakers, including his mentor, Mario Bava. This experience allowed him to develop his skills and eventually pursue a career as a director.

Major Accomplishments


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Dario Argento's breakthrough as a director came with his 1970 film _The Bird with the Crystal Plumage_, which was inspired by Paul Léautaud's novel of the same name. The film's success led to further collaborations with Bava, and in 1971, Argento directed _Four Flies on Grey Velvet_. His subsequent films, including _Deep Red_ (1975) and _Suspiria_ (1977), cemented his reputation as a master of the horror genre.

Argento's innovative style, which combines vibrant colors with eerie soundscapes, has influenced generations of filmmakers. His work has been praised for its technical skill and emotional resonance, making him one of the most respected directors in the industry.

Notable Works or Actions


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Some of Dario Argento's notable works include:

_The Bird with the Crystal Plumage_ (1970)
 _Four Flies on Grey Velvet_ (1971)
_Deep Red_ (1975)
 _Suspiria_ (1977) - a supernatural horror classic widely considered one of the greatest films of all time
* _Tenebre_ (1982) - a giallo thriller that showcases Argento's mastery of suspense and intrigue

Argento has also directed several other notable films, including _Inferno_ (1980), _Creepers_ (1985), and _The Stendhal Syndrome_ (1996). His work has been recognized with numerous awards and nominations, solidifying his position as a leading figure in the horror genre.

Impact and Legacy


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Dario Argento's influence on modern cinema is immeasurable. His innovative style has inspired countless filmmakers, including Guillermo del Toro, Quentin Tarantino, and Tim Burton. His films have also had a significant impact on popular culture, influencing everything from music videos to fashion trends.

Argento's legacy extends beyond his own work as well. He has been a mentor to numerous young directors, sharing his expertise and passion for cinema with the next generation of filmmakers. This commitment to nurturing talent has helped maintain the rich tradition of Italian horror cinema.

Why They Are Widely Quoted or Remembered


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Dario Argento is widely quoted and remembered for his masterful direction and innovative storytelling style. His ability to craft suspenseful, visually stunning films that explore the human psyche has captivated audiences worldwide. As a true original in the world of horror cinema, Argento's influence will continue to be felt for generations to come.

His iconic status within the film industry is further solidified by his collaborations with other notable figures, including his sister Claudio Argento and composer Ennio Morricone. These partnerships have yielded some of the most memorable scores in horror history, elevating Argento's films to new heights of cinematic excellence.

Today, Dario Argento continues to work in the film industry, leaving behind a legacy that will be remembered for years to come. His impact on cinema is undeniable, and his influence can be seen in everything from modern horror movies to avant-garde art projects.

Quotes by Dario Argento

There's nothing gratuitous about my films.
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There's nothing gratuitous about my films.
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I’m very interested in portraying homosexual man and woman in my films because I’m interested in their lives and their problems.
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I’m very interested in portraying homosexual man and woman in my films because I’m interested in their lives and their problems.
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The only true mystery is that our very lives are governed by dead people.
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The only true mystery is that our very lives are governed by dead people.
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When I see a film I’ve finished, it’s like another person made it. Like another mind.
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When I see a film I’ve finished, it’s like another person made it. Like another mind.
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I’m Dario Argento, and my style is something recognizable I think by the audience.
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I’m Dario Argento, and my style is something recognizable I think by the audience.
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When I was five. That’s when I started to love film.
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When I was five. That’s when I started to love film.
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It’s incredible that they censor films. It’s sad.
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It’s incredible that they censor films. It’s sad.
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If you make a film normally it’s all right, the distributors are helpful and cooperative. But if you make a film that’s a little stange, a little bizarre, then all the time it’s a struggle with them.
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If you make a film normally it’s all right, the distributors are helpful and cooperative. But if you make a film that’s a little stange, a little bizarre, then all the time it’s a struggle with them.
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The process of writing and directing drives you to such extremes that it’s natural to feel an affinity with insanity. I approach that madness as something dangerous, and I’m afraid, but also I want to go to it, to see what’s there, to embrace it. I don’t know why, but I’m drawn.
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The process of writing and directing drives you to such extremes that it’s natural to feel an affinity with insanity. I approach that madness as something dangerous, and I’m afraid, but also I want to go to it, to see what’s there, to embrace it. I don’t know why, but I’m drawn.
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The psychiatrists examine you and ask you about your life and work, and then they decide whether your film can be shown or not. It’s a horrible experience.
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The psychiatrists examine you and ask you about your life and work, and then they decide whether your film can be shown or not. It’s a horrible experience.
DA
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