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David E. Kelley

41quotes

David E. Kelley


Full Name and Common Aliases

David Edward Kelley is a renowned American television writer, producer, and screenwriter. He is commonly known for his work in creating some of the most iconic and critically acclaimed TV shows in history.

Birth and Death Dates

David E. Kelley was born on April 26, 1956. Unfortunately, there is no publicly available information regarding his passing.

Nationality and Profession(s)

Kelley holds American nationality and has dedicated his career to writing and producing television series, films, and stage plays.

Early Life and Background


Growing up in Peoria, Illinois, Kelley developed a passion for storytelling at an early age. His father's influence, particularly his love of film and theater, played a significant role in shaping Kelley's creative pursuits. After graduating from high school, he attended the University of California, Los Angeles (UCLA), where he began to hone his writing skills.

Major Accomplishments

Kelley's illustrious career spans over four decades, with numerous accolades and achievements to his name. Some of his most notable accomplishments include:

Creating iconic TV shows such as Chicago Hope, Picket Fences, The Practice, and Boston Legal.
 Winning multiple Emmy Awards for Outstanding Writing for a Drama Series and Outstanding Writing for a Comedy Series.
Being nominated for several Golden Globe Awards, including Best Television Series - Drama.

Notable Works or Actions

Some of Kelley's most notable works include:

Chicago Hope: A critically acclaimed medical drama that aired from 1994 to 2000, exploring the personal and professional lives of a group of doctors working at a Chicago hospital.
Picket Fences: A small-town drama series that aired from 1992 to 1996, tackling issues such as crime, social justice, and community relationships.
 The Practice: A courtroom drama series that aired from 1997 to 2004, focusing on the personal and professional lives of a group of lawyers working in Boston.

Impact and Legacy

David E. Kelley's impact on the world of television is undeniable. His innovative storytelling style and ability to create complex characters have raised the bar for writers and producers in the industry. Many of his shows have become cultural touchstones, with memorable quotes and catchphrases becoming ingrained in popular culture.

Why They Are Widely Quoted or Remembered

David E. Kelley's influence extends beyond his impressive body of work. His commitment to tackling real-world issues and exploring complex themes has made him a respected voice in the entertainment industry. His ability to craft compelling characters and storylines has endeared him to audiences worldwide, cementing his legacy as one of television's greatest writers and producers.

As a quote-worthy individual, David E. Kelley offers valuable insights into the world of storytelling and the importance of tackling complex issues through creative mediums. His quotes can be found on various websites, offering readers a glimpse into his thought process and creative vision.

Quotes by David E. Kelley

David E. Kelley's insights on:

I miss Denny Crane.
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I miss Denny Crane.
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But I do believe that in all my shows, I really enjoy the quirky, the eccentric characters, the ones you don’t meet every day.
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But I do believe that in all my shows, I really enjoy the quirky, the eccentric characters, the ones you don’t meet every day.
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In retrospect, I think it’s a plus, because now we’ve been able to go back and spend extra time on each of those episodes and make them better.
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In retrospect, I think it’s a plus, because now we’ve been able to go back and spend extra time on each of those episodes and make them better.
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When the stories come easily and the writing process doesn’t feel laboring, that’s usually a good sign for me.
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When the stories come easily and the writing process doesn’t feel laboring, that’s usually a good sign for me.
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I’ve never really told jokes. I’m not good at it.
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I’ve never really told jokes. I’m not good at it.
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I don’t think I could write a straight drama.
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I don’t think I could write a straight drama.
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When I really have to push and grope and scratch and claw to make a story work, that’s a telltale sign that maybe something conceptually isn’t right.
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When I really have to push and grope and scratch and claw to make a story work, that’s a telltale sign that maybe something conceptually isn’t right.
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People are out of their home on a Saturday night or they’re at the movies or they’re at dinner and a lot of the people who flip on the television are doing just that. They may have never seen your show before and you can’t count on to your audience to be there week in and week out.
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People are out of their home on a Saturday night or they’re at the movies or they’re at dinner and a lot of the people who flip on the television are doing just that. They may have never seen your show before and you can’t count on to your audience to be there week in and week out.
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For me, I’m happy to succeed on any network.
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For me, I’m happy to succeed on any network.
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I don’t think it’s that strange that a show has sort of a bumpy beginning. It’s just part and parcel of the process.
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I don’t think it’s that strange that a show has sort of a bumpy beginning. It’s just part and parcel of the process.
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