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Infinite Jest is a novel by David Foster Wallace and stands as his most discussed work, drawing sustained attention as a centerpiece of his output in fiction.

Wallace was born on February 21, 1962, in Ithaca, and attended Urbana High School before going on to Amherst College, the University of Arizona, and Harvard University. He worked as a novelist, essayist, and university teacher, writing in English across forms that included long fiction, short stories, and essays. His association with the postmodernism movement ran through his career, and his body of work extended well beyond Infinite Jest to include the novel The Broom of the System, the short fiction collections Girl with Curious Hair, Brief Interviews with Hideous Men, and Oblivion: Stories, the essay collection A Supposedly Fun Thing I'll Never Do Again, and the work Everything and More. The novel The Pale King also belongs to the list of his notable works.

The recognition Wallace received during his lifetime reflected the regard in which his writing was held across multiple genres and forms. He was awarded a Whiting Award, a MacArthur Fellowship, and a Lannan Literary Award — three distinct honors that together acknowledged the range and seriousness of his work as a novelist and essayist. He continued to work as a university teacher alongside his writing throughout this period, engaging with both the practice and the institutional life of literature.

Wallace died on September 12, 2008, in Claremont, at the age of forty-six. The Pale King, included among his notable works, remains a concrete marker of the fiction he produced as an American novelist writing in English across a career that began in Ithaca and ended in Claremont.

Quotes by David Foster Wallace

David Foster Wallace's insights on:

Logical validity is not a guarantee of truth.
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Logical validity is not a guarantee of truth.
Think of the old cliché about the mind being 'an excellent servant but a terrible master'. This, like many clichés, so lame & banal on the surface, actually expresses a great & terrible truth.
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Think of the old cliché about the mind being 'an excellent servant but a terrible master'. This, like many clichés, so lame & banal on the surface, actually expresses a great & terrible truth.
It looks like you can write a minimalist piece without much bleeding. And you can. But not a good one.
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It looks like you can write a minimalist piece without much bleeding. And you can. But not a good one.
We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life 'outside' the story changes the story.
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We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life 'outside' the story changes the story.
The other half is to dramatize the fact that we still 'are' human beings, now. Or can be.
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The other half is to dramatize the fact that we still 'are' human beings, now. Or can be.
TV's 'real' agenda is to be 'liked,' because if you like what you're seeing, you'll stay tuned. TV is completely unabashed about this; it's its sole raison.
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TV's 'real' agenda is to be 'liked,' because if you like what you're seeing, you'll stay tuned. TV is completely unabashed about this; it's its sole raison.
This is nourishing, redemptive; we become less alone inside.
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This is nourishing, redemptive; we become less alone inside.
It seems important to find ways of reminding ourselves that most 'familiarity' is meditated and delusive.
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It seems important to find ways of reminding ourselves that most 'familiarity' is meditated and delusive.
The sky is low and gray and loose and seems to hang. There’s something baggy about the sky.
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The sky is low and gray and loose and seems to hang. There’s something baggy about the sky.
What’s unendurable is what his own head could make of it all. What his head could report to him, looking over and ahead and reporting.
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What’s unendurable is what his own head could make of it all. What his head could report to him, looking over and ahead and reporting.
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