David Hare
David Hare: A Prolific Playwright and Screenwriter
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Full Name and Common Aliases
David Hare is the full name of this renowned British playwright and screenwriter. He is often referred to as David Richard Hare.
Birth and Death Dates
Born on June 15, 1947, in Sturmer, Essex, England, David Hare is still active in his profession.
Nationality and Profession(s)
Hare is a British national and has made significant contributions to the world of theatre and cinema as a playwright, screenwriter, and director.
Early Life and Background
Growing up in a middle-class family, Hare developed an interest in writing at an early age. He attended Lancing College, a public boarding school in West Sussex, where he began to cultivate his passion for drama and the arts. After completing his secondary education, Hare went on to study English literature at Trinity College, Cambridge.
It was during his university days that Hare became increasingly involved in student theatre productions, which not only honed his writing skills but also instilled in him a deep appreciation for the art of storytelling. This early exposure to the world of drama laid the foundation for his future success as a playwright and screenwriter.
Major Accomplishments
Throughout his illustrious career, Hare has written numerous plays, films, and television productions that have garnered critical acclaim and commercial success. Some of his notable works include:
Plays: "Slag" (1970), "Knuckle" (1971), "Steel" (1979), "The Absence of War" (1990), and "Skylight" (1995)
Films: "Wetherby" (1985), "Paris by Night" (1992), "Riding the Storm Out" (2004), and "The Reader" (2008)
Hare's innovative storytelling style, coupled with his ability to tackle complex social issues, has earned him a reputation as one of the most respected playwrights of his generation.
Notable Works or Actions
One of Hare's most notable works is the 1985 film "Wetherby," which he wrote and directed. This critically acclaimed drama tells the story of a series of tragic events that unfold in a small English town. The film received widespread recognition, including several award nominations at the Cannes Film Festival.
In addition to his work in theatre and cinema, Hare has also made significant contributions to television production. His BBC miniseries "Licking Hitler" (1978) was a groundbreaking drama that explored the complexities of the Nazi regime during World War II.
Impact and Legacy
David Hare's influence on the world of theatre and cinema is immeasurable. His innovative storytelling style, coupled with his willingness to tackle complex social issues, has inspired generations of writers and artists. Through his work, he has provided a unique perspective on some of the most pressing concerns of our time, from the consequences of war to the complexities of human relationships.
Why They Are Widely Quoted or Remembered
David Hare's quotes are widely sought after due to their insight into the human condition and his ability to distill complex ideas into simple yet powerful statements. His words have been quoted in various contexts, from academic essays to newspaper articles, and continue to be relevant today.
Throughout his career, Hare has demonstrated a commitment to exploring the complexities of human nature through his work. His dedication to creating thought-provoking drama has made him one of the most respected voices in contemporary theatre and cinema.
Quotes by David Hare
David Hare's insights on:
I’m not good at standing on platforms and persuading people to my political point of view. Nor would I seek to. My gift is completely different. It’s for presenting an imaginative version of the world which I hope people would recognize and be affected by.
As Michael Cunningham would later write in his novel The Hours, I thought what I was feeling was the beginning of happiness. In fact, it was happiness.
For a politician, the mans to power is paramount, and the ideology, in a way, can look after itself; I’m afraid a writer can’t think like that. A writer has to think that it’s more important to be right than to be popular.
I don’t see the theater as an establishment. The National Theatre has always seemed to me a people’s theater. It was never meant to reinforce the values of the government of the day, nor does it, nor should it.
It’s inevitable that you will die, so the only question is when. The great thrillers are the moments that play and tease with the question, “When will it be?”
If you like judging, please: be a lawyer. Run a dog show. There’s a whole lot of jobs if judging is your passion in life. But take my advice: if you want to be happy, keep your judging professional. And don’t start putting in practice at home.
As you write plays, you discover what you believe. And until you know what you believe, you can’t write a play.