David Sanborn
David Sanborn
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Full Name and Common Aliases
David Sanborn is an American jazz saxophonist and singer known for his distinctive and soulful playing style.
Birth and Death Dates
Born on July 30, 1945, in Tampa, Florida. Still active in music today.
Nationality and Profession(s)
American jazz saxophonist and singer.
Early Life and Background
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David Sanborn grew up in Rochester, New York, where he began playing the saxophone at a young age. He was largely self-taught, influenced by jazz legends such as Charlie Parker and John Coltrane. Sanborn's early musical experiences were shaped by his exposure to R&B and soul music, which would later become a hallmark of his unique sound.
Sanborn moved to New York City in the 1960s, where he became part of the city's vibrant jazz scene. He played with notable musicians such as Elvin Jones, McCoy Tyner, and Charles Mingus, among others.
Major Accomplishments
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Throughout his career, David Sanborn has released numerous critically acclaimed albums, including Straight to the Heart, Hideaway, and Then Again. His playing style, which blends jazz with R&B and soul influences, has made him a beloved figure in both genres.
Sanborn has also been recognized for his work as an instrumentalist and session musician. He has played on countless recordings by other artists, including Stevie Wonder's Songs in the Key of Life and Eric Clapton's Another Ticket.
Notable Works or Actions
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Some of David Sanborn's most notable works include:
His iconic performance on Steely Dan's "Hey Nineteen"
The hit single "Hideaway," which reached the top 10 on the Billboard charts in 1987
A critically acclaimed collaboration with jazz pianist Billy Childs, resulting in the album Sanborn/ChildsImpact and Legacy
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David Sanborn's impact on jazz and popular music is undeniable. His unique blend of styles has influenced a generation of musicians and continues to inspire new artists today.
As a sought-after session musician and solo artist, Sanborn has helped shape the sound of countless recordings and albums. His legacy extends beyond his own music, as he has played a significant role in shaping the course of jazz and R&B history.
Why They Are Widely Quoted or Remembered
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David Sanborn's influence can be seen in many areas:
Influence on Future Generations: Sanborn's unique playing style has inspired a wide range of musicians, from jazz to rock.
Impact on Popular Music: His work as a session musician and solo artist has contributed significantly to the development of popular music genres such as R&B and soul.
Legacy in Jazz History: Sanborn's contributions to the world of jazz have cemented his place among its most respected figures.
As a true icon in the music industry, David Sanborn continues to inspire new generations with his timeless playing style and dedication to his craft.
Quotes by David Sanborn
I think 'Horace Silver' was actually the first live jazz group I ever heard back when I was a kid in St. Louis. So along with most players of my generation, I have a real affection for the music of 'Horace Silver.'
In regard to music, I just think that it's always best to have an attitude of being a perpetual student and always look to learn something new about music, because there's always something new to learn. Don't dismiss something out of hand because you think it's either beneath you or outside of the realm of where your interests lie.
I just kinda like playing. I don’t necessarily go on tour to promote my albums. I’m on the road all the time. The fact that I have a new record is out is a coincidence.
As a melody instrument player, it’s all about getting from one note to the next, and those intervals and how you navigate your way through these vertical structures of chords. You realize that everything’s moving forward, and it’s all linear.
My name is on the thing, but the reality of it is, when I get up there on stage, I’m part of a band. I’m part of a unit. It’s like a basketball team.
In regard to music, I just think that it’s always best to have an attitude of being a perpetual student and always look to learn something new about music, because there’s always something new to learn.
I have pretty ecumenical tastes. I’m interested in a lot of different kinds of music, so I don’t listen with a jaundiced ear to music because it’s in a certain category, whether it’s country or opera or hip-hop or bebop or whatever it is.
I’ll just sit at the piano a lot an play like through different chord exercises and kind of just throwing my hands down on the piano from one chord to the next to see what happens.