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Deborah Moggach
79quotes
Deborah Moggach: A Life of Literature and Legacy
Full Name and Common Aliases
Deborah Moggach is the full name of this British novelist, screenwriter, and playwright.
Birth and Death Dates
Born on August 18, 1948, there is no information available about her passing. Her life's work has left an indelible mark on literature and popular culture.
Nationality and Profession(s)
British by nationality, Deborah Moggach is a renowned novelist, screenwriter, and playwright. Her work spans multiple genres, including comedy, drama, and romance.
Early Life and Background
Growing up in Lewisham, London, Moggach's interest in writing began at an early age. She developed a passion for storytelling through her love of Enid Blyton novels. After completing her education, she worked as a teacher before pursuing a career in writing.
Major Accomplishments
Moggach's breakthrough novel, "Tulip Fever" (1999), is an epic tale set against the backdrop of 17th-century Holland. This critically acclaimed novel was adapted into a film by Peter Webber in 2008, featuring Dane DeHaan and Alicia Vikander.
Her subsequent novels include "The Best Exotic Marigold Hotel" (2011), which she also adapted for the screen to great acclaim. This heartwarming tale of aging expats navigating love and life in India became a box office hit, grossing over $463 million worldwide.
Notable Works or Actions
Moggach's writing often explores themes of love, relationships, and the human condition. Her novels are known for their engaging characters, witty dialogue, and poignant insights into the complexities of life.
Some of her notable works include:
"Tulip Fever" (1999)
"The Best Exotic Marigold Hotel" (2011)
* "These Foolish Things" (2004)
Impact and Legacy
Deborah Moggach's contribution to literature is substantial, with her novels captivating readers worldwide. Her ability to craft relatable characters and explore universal themes has cemented her position as a respected author.
Her work transcends genres, appealing to a broad audience. This versatility has led to numerous adaptations for stage and screen, further increasing her impact on popular culture.
Why They Are Widely Quoted or Remembered
Deborah Moggach's legacy is built upon the foundation of her engaging novels and screenplays. Her ability to weave complex stories with memorable characters has made her a household name in literary circles.
As a celebrated author, playwright, and screenwriter, Deborah Moggach continues to inspire readers and writers alike with her thought-provoking works.
Quotes by Deborah Moggach
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I have a hippopotamus skull next to my bed, called Gregory. When I was six, my three sisters and I clubbed together and paid £4 for it in a junk shop. We collected owl pellets, ostrich eggs and sheep skulls for our natural history museum at home.
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Next to me she seems like a clean blackboard, whereas I am full of crossed-out scribbles that I can no longer decipher.
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If the poet says that he can inflame men with love, which is the central aim in all animal species, the painter has the power to do the same, and to an even greater degree, in that he can place in front of the lover the true likeness of that which is beloved, often making him kiss and speak to it. – LEONARDO DA VINCI, Notebooks.
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We use God to justify our actions when in fact it is our own instinct for survival that pushes us on.
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Speak or act with an impure mind and trouble will follow you, as the wheel follows the ox that draws the cart. Speak or act with a pure mind and happiness will follow you, as your shadow unshakeable. Sayings of the Buddha.
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After the storm the city lies becalmed. It is a sunny morning, still and cold. Branches litter the streets like broken limbs. People clear away the wreckage. They swarm around like ants whose anthill has been scuffed; how doggedly they rebuild their lives.
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But you have to be courageous, my friend, and unafraid of pain. For only through pain will the beauty of the world be revealed.’’ He.
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Art lies, to tell the truth. Flowers from different seasons bloom impossibly together. Trees are shifted around in the landscape to frame the composition. Rooms are created like stage sets, furnished with the artist’s own possessions, where models are arranged in a speechless moment of drama.
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