Anybody great, we're all interested in the relics. If you found an unfinished Gauguin, you'd still want to see it.

If music goes out of language, then you are in bad trouble.

What is taught in schools generally in the West Indies is that if something is your thing, it's better than anybody else's because it's yours. It's extremely provincial and also damaging. You prevent people from learning things. The biggest absurdity would be, 'Don't read Shakespeare because he was white.'

The thing a writer has to avoid is being the 'voice' of his people and pretending he can speak for them.

When I went to college - when I read Shakespeare or Dickens or Scott - I just felt that, as a citizen of England, a British citizen, this was as much my heritage as any schoolboy's. That is one of the things the Empire taught, that apart from citizenship, the synonymous inheritance of the citizenship was the literature.

There is no one more deserving of a place in Poets' Corner. Ted Hughes introduced a new kind of landscape into English poetry. The most compelling aspect of his work was his intimacy with nature.

Where I come from, we sing poetry.

I am only one-eighth the writer I might have been had I contained all the fragmented languages of Trinidad.

After a while, when the writer is mature, it doesn't really matter - not because of finances but because of reputation. It doesn't really matter how many awards you get.

Ted Hughes is dead. That's a fact, OK. Then there's something called the poetry of Ted Hughes. The poetry of Ted Hughes is more real, very soon, than the myth that Ted Hughes existed - because that can't be proven.