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Dodie Smith

232quotes

Full Name and Common Aliases

Dorothy Gladys "Dodie" Smith was a renowned English novelist and playwright, best known for her children's novel "The Hundred and One Dalmatians." Often referred to simply as Dodie Smith, she captivated audiences with her imaginative storytelling and memorable characters.

Birth and Death Dates

Dodie Smith was born on May 3, 1896, in Whitefield, Lancashire, England. She passed away on November 24, 1990, in Uttlesford, Essex, England, leaving behind a legacy of beloved literary works.

Nationality and Profession(s)

Dodie Smith was British by nationality. Her professional career spanned several creative fields, including novelist, playwright, and screenwriter. Her diverse talents allowed her to make significant contributions to both literature and theater.

Early Life and Background

Dodie Smith's early life was marked by both privilege and tragedy. Born into a prosperous family, she experienced the loss of her father at a young age, which led her and her mother to move to London to live with her maternal grandparents. This change in environment exposed her to the vibrant cultural life of the city, sparking her interest in the arts. Smith attended the Academy of Dramatic Art in London, where she initially pursued a career in acting. However, her true passion lay in writing, a path she would eventually follow with great success.

Major Accomplishments

Dodie Smith's career was marked by numerous accomplishments across different mediums. Her first major success came with the play "Autumn Crocus" in 1931, which was well-received and established her as a talented playwright. She continued to write successful plays throughout the 1930s and 1940s, including "Dear Octopus" and "Call It a Day." However, it was her transition to novel writing that would bring her the most enduring fame. Her debut novel, "I Capture the Castle," published in 1948, was met with critical acclaim and remains a beloved classic to this day.

Notable Works or Actions

Dodie Smith's most famous work, "The Hundred and One Dalmatians," published in 1956, has become a staple of children's literature. The story of Pongo, Perdita, and their quest to rescue their stolen puppies from the villainous Cruella de Vil captured the imaginations of readers worldwide. The novel's success led to a popular Disney animated adaptation in 1961, further cementing its place in popular culture. In addition to her novels, Smith's plays and screenwriting contributions showcased her versatility and creativity, making her a respected figure in the literary and theatrical communities.

Impact and Legacy

Dodie Smith's impact on literature and popular culture is significant. Her ability to create compelling narratives and memorable characters has left a lasting impression on readers and audiences alike. "I Capture the Castle" is often cited as a coming-of-age masterpiece, praised for its vivid depiction of adolescence and family dynamics. "The Hundred and One Dalmatians" not only entertained generations of children but also introduced the world to one of literature's most iconic villains, Cruella de Vil. Smith's works continue to be celebrated for their wit, charm, and timeless appeal.

Why They Are Widely Quoted or Remembered

Dodie Smith is widely quoted and remembered for her unique voice and the enduring quality of her storytelling. Her ability to capture the complexities of human emotions and relationships resonates with readers of all ages. Quotes from her works often reflect themes of love, adventure, and the pursuit of dreams, making them relatable and inspiring. Smith's legacy is further enhanced by the adaptations of her works, which have introduced her stories to new audiences and ensured their place in the cultural zeitgeist. Her contributions to literature and theater have left an indelible mark, making Dodie Smith a cherished and quoted figure in the world of storytelling.

Quotes by Dodie Smith

Dodie Smith's insights on:

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The family, that dear octopus from whos tentacles we never quite escape, not in our innermost hearts never quite wish to.
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I was wandering around as usual, in my unpleasantly populated subconscious...
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Our excited voices only made the castle seem more silent.
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How strange and beautiful it looked in the late afternoon light! I can still recapture that first glimpse - see the sheer grey stone walls and towers against the pale yellow sky, the reflected castle stretching towards us on the brimming moat, the floating patches of emerald-green water-weed.
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Why don't you ever fly through the windmill again? That's a sure crowd pleaser.
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The family – that dear octopus from whose tentacles we never quite escape, nor, in our inmost hearts, ever quite wish to.
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It was wonderful, of course – ham with mustard is a meal of glory.
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The Vicar isn’t High Church enough for confessions, and certainly most of me would have loathed to tell him or anybody else one word; but I did have a feeling that a person as wretched as I was ought to be able to get some sort of help from the Church. Then I told myself that as I never gave the Church a thought when I was feeling happy, I could hardly expect it to do anything for me when I wasn’t. You can’t get insurance money without paying in premiums.
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Perhaps he found beauty saddening – I do myself sometimes. Once when I was quite little I asked father why this was and he explained that it was due to our knowledge of beauty’s evanescence, which reminds us that we ourselves shall die.
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When things mean a very great deal to you, exciting anticipation just isn’t safe.
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