Dolly Wells
Good Posture, a comedy-drama written and directed by Dolly Wells, was released in 2019 and stands as her feature directorial debut in that form.
Wells was born in London in 1971 and works as an actress, film director, and screenwriter. Her career in front of the camera began building across British television, with an early role in the sketch series Star Stories, which ran from 2006 to 2008. She continued in television through the early 2010s, appearing in Some Girls and Noel Fielding's Luxury Comedy, both of which ran between 2012 and 2014. These years of on-screen work ran alongside her development as a writer, preparing the ground for the more creatively expansive projects she would pursue.
The clearest expression of Wells combining her acting and writing came with Doll & Em, the Sky Living comedy series she co-wrote and starred in alongside Emily Mortimer, which aired from 2014 to 2015. That project demonstrated her capacity to shape material from behind the page as well as perform it. She continued to take on acting roles across a range of productions during this period, appearing in the American series Blunt Talk from 2015 to 2016, and subsequently taking on roles in the BBC adaptations Dracula in 2020 and Inside Man in 2022, as well as The Outlaws in 2021. Each of these projects extended her presence across both British and American television.
Good Posture itself represents the fullest convergence of Wells's roles as writer and director, allowing her to exercise control over a project from conception through to completion. The film, released in 2019, is a comedy-drama, a genre she had worked within across her television career. Her work in Inside Man in 2022 stands as one of the more recent concrete markers of her continued activity as a performer in high-profile productions.
Quotes by Dolly Wells

The idea that you've been friends for your whole life and then suddenly the other person becomes your job - it would be so weird. It would be hard not to become massively resentful.

This is really bad to admit but, you know, when you put your name in Google to see how many credits it's got by your name or something. So you put in 'Dolly Wells' and suddenly it goes 'Dolly Wells Feet' or something.


Essentially, we wanted to be in one of Azazel's films, so the notion was we'd simply write an Azazel Jacobs movie ourselves, and then give it to him and be like, 'Right, here's you next film, now direct us. Go.'

We want 'Doll & Em' to be something we're proud of. We'd love to do another series, but it's not the be-all and end-all. Our friendship is the be-all and end-all.

There is something very freeing about being anonymous because nothing is expected of you; nothing is getting back to anyone, and no one cares.

When Dad died in 1998, it really hit my confidence - he'd helped me write and he thought I was really funny, but since he'd died I didn't feel right. And it felt like no one but me even remembered him.

We came up with this idea of a power struggle between two people who really love each other, and 'Doll & Em' took off. Calling it by our own names was the director's idea, but hopefully people will understand that we're playing versions of ourselves.

It feels like as you get a bit older, you've worked out the things that are good for your life apart from with acting.

I love 'Curb Your Enthusiasm' and 'Extras' and also 'The Trip.' That had all the nuances of friendship and finding things out about their lives without it being too much plot-driven.