My exposure to Beckett and to late O'Neill was probably important right at the time I gave up poetry and the novel.

It's a good idea to have friends both in Heaven and in Hell.

Careers are funny things. They begin mysteriously and, just as mysteriously, they can end; and I am at just the very beginning of what I hope will be a long and satisfying life in the theater. But, whatever happens, I am grateful to have had my novice work received so well, and so quickly.

I am convinced that no one is fully educated without a full grounding in the arts.

Old people whimper, and cry, and belch, and make great hollow rumbling sounds at table; old people wake up in the middle of the night screaming, and find out they haven't even been asleep; and when old people are asleep, they try to wake up, and they can't... not for the longest time.

The avant-garde theater is fun; it is free-swinging, bold, iconoclastic, and often wildly, wildly funny. If you will approach it with childlike innocence - putting your standard responses aside, for they do not apply - if you will approach it on its own terms, I think you will be in for a liberating surprise.

I'm not suggesting that the play is without fault; all of my plays are imperfect, I'm rather happy to say-it leaves me something to do.

Never marry for money; you can borrow it cheaper.

That's all that counts. People being sorry. Makes you feel better; gives you a sense of dignity, and that's all that's important; a sense of dignity. And it doesn't matter if you don't care or not, either. You got to have a sense of dignity, even if you don't care, 'cause, if you don't have that, civilization's doomed.

A play is fiction - and fiction is fact distilled into truth.