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Eleanor Farjeon


#### Full Name and Common Aliases
Eleanor Farjeon was born Ellen Mary Frances Farjeon on 5 March 1881 in London, England. She is also known by her pen name, Eleanor Farjeon.

Birth and Death Dates


Eleanor Farjeon was born on 5 March 1881 and passed away on 16 June 1965.

Nationality and Profession(s)


Eleanor Farjeon was a British writer of children's books, biographies, and literary fiction. She is widely recognized for her contributions to the world of literature, particularly in the realm of juvenile fiction.

Early Life and Background


Born into a family of writers and artists, Eleanor Farjeon grew up surrounded by creative influences. Her father was the novelist Benjamin Farjeon, who had previously worked as a journalist and editor. This exposure likely inspired her own writing pursuits from an early age. However, it's worth noting that very little is known about Farjeon's personal life beyond her professional achievements.

Major Accomplishments


Eleanor Farjeon's literary output was prolific, with over 100 books to her credit across various genres. Some of her most notable works include the biographical novels _The Little Bookroom_ and _The Flowering Thorn_. She also authored several series of short stories for children, showcasing her remarkable ability to craft engaging narratives that captivated young readers.

Notable Works or Actions


Throughout her career, Farjeon demonstrated a commitment to storytelling that prioritized moral and emotional depth. Her books often explored themes related to childhood, family relationships, and personal growth. One notable example of this approach is found in _The Little Bookroom_, which has been praised for its nuanced portrayal of the human experience.

Impact and Legacy


Eleanor Farjeon's impact on children's literature cannot be overstated. Her writing has influenced generations of authors who followed in her footsteps, including notable figures like C.S. Lewis. The enduring popularity of her works is a testament to their timeless themes and the skill with which she wove them together.

Why They Are Widely Quoted or Remembered


Eleanor Farjeon's legacy as a writer is due in part to her remarkable ability to craft stories that have captivated readers for decades. Her commitment to exploring universal themes through the lens of childhood experiences has made her works both relatable and enduring. As a result, she remains widely quoted and remembered today, particularly among scholars and enthusiasts of children's literature.

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By examining Eleanor Farjeon's life and work, it becomes clear that her dedication to storytelling was matched only by her passion for exploring the complexities of human experience. Her influence can be seen in the many authors who have followed in her footsteps, but it is her own remarkable body of work that truly sets her apart as one of the most beloved writers of her generation.

Quotes by Eleanor Farjeon

"
I want to be good... I try to be good, I do try, and to like everybody. But there are some people – some people I can’t like, however much I try. I hate them – there!
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Ecstasy cannot be constant, or it would kill.
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In love there are no penalties and no payments, and what is given is indistinguishable from what is received.
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It seems to me there are no rules, only instances; but perhaps that is because I learned no rules, and am only an instance myself.
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Of what use to destroy the children of evil? It is evil itself we must destroy at the roots.
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It always gives me a shiver when I see a cat seeing what I can’t see.
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There’s Carol like a rolling car, And Martin like a flying bird, And Adam like the Lord’s First Word, And Raymond like the Harvest Moon, And Peter like a piper’s tune, And Alan like the flowing on Of water. And there’s John, like John.
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It’s no use crying over spilt evils. It’s better to mop them up laughing.
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He loved her, both for her fault and her redemption of it, more than he had ever thought that he could love her; for he had believed that in their kiss love had reached its uttermost. But love has no uttermost, as the starshave no number and the sea no rest.
"
No love-story has ever been told twice. I never heard any tale of lovers that did not seem to me as new as the world on its first morning.
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