Elizabeth Jane Howard


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Full Name and Common Aliases


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Elizabeth Jane Howard was a British novelist, known for her literary output spanning multiple genres, including romance, science fiction, and mystery.

Birth and Death Dates


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Born on July 26, 1923, in London, England, Elizabeth Jane Howard passed away on January 2, 2018, at the age of 94.

Nationality and Profession(s)


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Elizabeth Jane Howard was a British novelist, holding multiple citizenships including British and American. Her writing career spanned over five decades, during which she wrote in various genres.

Early Life and Background


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Growing up in a family that valued literature and the arts, Elizabeth Jane Howard developed a passion for reading from an early age. She was the daughter of a Conservative Member of Parliament and was educated at home due to her poor health as a child. Her experiences during World War II would later influence her writing, particularly in her depiction of strong female characters.

Major Accomplishments


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Throughout her career, Elizabeth Jane Howard wrote numerous novels that garnered critical acclaim and commercial success. Some of her most notable works include the Cazalet Chronicles series, which explores the lives of a family during World War II and its aftermath, as well as the Sea View House trilogy, a collection of interconnected stories about a group of friends living in a seaside community.

Notable Works or Actions


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Elizabeth Jane Howard's writing often explored themes of love, loss, and relationships. Her works frequently featured complex female characters navigating personal struggles and societal expectations. Some of her notable novels include "The Cazalet Chronicles," which includes the volumes "The Light Years," "Marking Time," and "A Question of Love." Her later works, such as "Sea View House" and its sequels, showcased her ability to craft compelling stories about ordinary people living extraordinary lives.

Impact and Legacy


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Elizabeth Jane Howard's writing has had a lasting impact on the literary world. Her exploration of female experiences and relationships helped pave the way for future generations of authors tackling similar themes. Critics have praised her novels for their nuanced characterizations, engaging plots, and insightful commentary on the human condition.

Why They Are Widely Quoted or Remembered


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Elizabeth Jane Howard's writing is widely quoted and remembered due to its accessibility and emotional resonance. Her ability to craft relatable characters and stories about everyday people has made her a beloved author among readers worldwide. As a testament to her enduring impact, many of her works continue to be in print, with some even being adapted into television series.

Elizabeth Jane Howard's legacy extends beyond her novels; she also leaves behind a remarkable life story marked by personal struggles, creative triumphs, and an unwavering dedication to her craft. Her writing continues to inspire new generations of readers and writers alike, ensuring her place as one of the most celebrated authors of her time.

Quotes by Elizabeth Jane Howard

Elizabeth Jane Howard's insights on:

What I like about limousines is they have tinted windows, so no-one can see if you’re snogging in the back seat.
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What I like about limousines is they have tinted windows, so no-one can see if you’re snogging in the back seat.
Mrs Downs, a large sad lady who described herself, to Rupert’s delight, as bulky but fragile, now came four mornings a week to clean the house. She was one of those people who habitually looked on the black side of everything with a cheerfulness that bordered upon the macabre.
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Mrs Downs, a large sad lady who described herself, to Rupert’s delight, as bulky but fragile, now came four mornings a week to clean the house. She was one of those people who habitually looked on the black side of everything with a cheerfulness that bordered upon the macabre.
It was foolish to indulge in elaborate preconceptions: anticipation was a featherweight, doomed to compete with the inevitable, convincing bulk of reality. The trouble was that one had to face reality without knowing beforehand precisely what it was to be. One had somehow to discover and tread the hard, between the sloughs of fearing the worst and hoping for the best.
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It was foolish to indulge in elaborate preconceptions: anticipation was a featherweight, doomed to compete with the inevitable, convincing bulk of reality. The trouble was that one had to face reality without knowing beforehand precisely what it was to be. One had somehow to discover and tread the hard, between the sloughs of fearing the worst and hoping for the best.
I have lived my life in the slipstream of experience.
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I have lived my life in the slipstream of experience.
Charity groped for the phone, coming up with it at last and croaking “hello” in a voice that sounded exactly like a bullfrog’s mating call. Which made a kind of twisted sense – last night she’d been hunting for a mate as well.
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Charity groped for the phone, coming up with it at last and croaking “hello” in a voice that sounded exactly like a bullfrog’s mating call. Which made a kind of twisted sense – last night she’d been hunting for a mate as well.
Love is neither a conditional business nor an ever-fixed mark arrangement. People always know somewhere inside them if they are not loved. No gestures, talk, conciliation, pronouncements can prevail over that deep instinctual knowledge.
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Love is neither a conditional business nor an ever-fixed mark arrangement. People always know somewhere inside them if they are not loved. No gestures, talk, conciliation, pronouncements can prevail over that deep instinctual knowledge.
The craze of genealogy is connected with the epidemic for divorce. If we can’t figure out who our living relatives are, then maybe we’ll have more luck with the dead ones.
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The craze of genealogy is connected with the epidemic for divorce. If we can’t figure out who our living relatives are, then maybe we’ll have more luck with the dead ones.
Sir Humphrey’s stories about Africa made Charity feel exactly like one of his stuffed trophy heads – lifeless and glassy eyed. The only difference was that she usually ended up face-down, slumbering on the sofa, instead of hung up on the wall.
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Sir Humphrey’s stories about Africa made Charity feel exactly like one of his stuffed trophy heads – lifeless and glassy eyed. The only difference was that she usually ended up face-down, slumbering on the sofa, instead of hung up on the wall.
When you fall asleep after a big lunch you’re really just saving up energy to work off all the calories later on.
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When you fall asleep after a big lunch you’re really just saving up energy to work off all the calories later on.
I’m not particularly keen on pity. Pity takes something away from grief. People think they’re sharing it, but really they’re just taking some. I prefer to keep my grief intact.
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I’m not particularly keen on pity. Pity takes something away from grief. People think they’re sharing it, but really they’re just taking some. I prefer to keep my grief intact.
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