Elizabeth Meriwether
Elizabeth Meriwether
Full Name and Common Aliases
Elizabeth Meriwether is commonly known as Lizzi or Lizzie.
Birth and Death Dates
Born on June 27, 1984, in Chicago, Illinois. Unfortunately, there is limited information available regarding her passing date.
Nationality and Profession(s)
American television writer, producer, and showrunner.
Early Life and Background
Elizabeth Meriwether was born to a family that nurtured her creative side from an early age. Growing up in Chicago, she developed a passion for storytelling through various mediums, including writing, acting, and directing. Her father's influence on her love for comedy is evident in the type of content she creates.
Major Accomplishments
Elizabeth Meriwether is best known as the creator and showrunner of the hit sitcom New Girl (2011-2018). During its seven-season run, the show earned numerous award nominations, including two Golden Globe Awards. Her work on the series not only showcased her writing skills but also demonstrated her ability to develop complex characters that resonated with audiences worldwide.
Notable Works or Actions
In addition to New Girl, Meriwether has created and produced several other TV shows, such as Single Parents (2018-2020) and the upcoming series Bee & Wombat. Her writing style often focuses on relationships, friendships, and the challenges of growing up, making her content relatable to a wide range of audiences.
Impact and Legacy
Elizabeth Meriwether's impact on television is undeniable. Her shows have not only provided entertainment but also tackled real-life issues, promoting meaningful conversations among viewers. As a trailblazer for women in comedy writing, she has paved the way for future generations of writers and producers to create innovative content.
Why They Are Widely Quoted or Remembered
Elizabeth Meriwether's quotes are often sought after because they offer insights into her creative process and experiences as a woman in the entertainment industry. Her statements on topics such as feminism, relationships, and self-acceptance have resonated with audiences, making her one of the most quoted figures in contemporary television.
Her legacy extends beyond her work in front of the camera; she has become an inspiration to aspiring writers, producers, and artists. By sharing her experiences and expertise through interviews, panel discussions, and social media, Meriwether continues to promote diversity and inclusivity within the entertainment industry.
In summary, Elizabeth Meriwether is a talented television writer, producer, and showrunner who has left an indelible mark on modern television. Her quotes offer valuable insights into her creative process, experiences as a woman in comedy writing, and perspectives on life's challenges. As her work continues to inspire audiences worldwide, it is no wonder that she remains one of the most quoted figures in contemporary entertainment.
Quotes by Elizabeth Meriwether

What does being a woman today mean? Is there a right way of doing it? Is there a wrong way of doing it? Different kinds of women, female friendships: It's all pretty funny, and worth making fun of.

I think in a lot of romantic comedies it ends with a kiss, and I feel like in modern day relationships, and maybe just my own experience, it starts with a kiss and then all sort of falls apart and then comes together. You're texting. You're wondering what's going on. There's no definitions, there's no labels.

Part of being an actor is being able to contribute to a character’s rhythms. If there’s room to explore, you find a happy medium. We almost always get it as written, and then, we throw some improvs in or some alternatives.

The striking thing about New Girl is that under all the comedy, theres something about the emotions and reactions that feels very real – much more real than other sitcoms. Like – maybe everybody is sort of laid bare in different ways.

But, yes, I learned everything working in theater. I learned the importance of community – I was constantly going to play readings, stand-up nights, improv. nights.

I think a lot of the romantic comedies need to catch up with what’s actually kind of happening.

In a show that has so many neurotic, broken beta characters, it’s always fun to bring in a character who’s really confident in themselves.

If I’m writing something and I’m not feeling mischievous, then I know it’s not going to be great.

I think they should create a holiday for friends-with-benefits relationships. Because I feel like Valentine’s Day is, maybe it’s a day to stay home and cry.

Dysfunctional co-dependent relationships always appeal to me. I don’t know exactly how it started. I start writing sketches of characters and little scene-lets, and then it builds.