Elizabeth Montagu
Elizabeth Montagu
#### Full Name and Common Aliases
Elizabeth Robinson Montagu was born on October 2, 1718, in London, England. She is often referred to as "The Queen of the Blues" for her influential role in promoting literature and the arts.
#### Birth and Death Dates
October 2, 1718 - August 25, 1800
#### Nationality and Profession(s)
British, Literary Patron, Author, and Socialite
Early Life and Background
Elizabeth Montagu was born into a wealthy family of merchants. Her parents, Edward and Elizabeth Robinson, encouraged her love for literature from an early age. She received a classical education at home, which was uncommon for women during that time. This education laid the foundation for her future as a patron of the arts.
As a young woman, Montagu was exposed to the vibrant social scene in London. She became acquainted with prominent figures such as Samuel Johnson and Joshua Reynolds, who would later play significant roles in her life. Her marriage to Edward Montagu in 1739 brought her into the circle of the aristocracy, further solidifying her position within high society.
Major Accomplishments
Elizabeth Montagu's most notable achievement was founding the Blue Stockings Society, a group dedicated to promoting literature and intellectual pursuits among women. This organization provided a platform for women to engage in discussions on various subjects, including politics, philosophy, and art.
Montagu also played a crucial role in supporting emerging writers, such as Samuel Johnson and Alexander Pope. Her patronage enabled these authors to focus on their craft without the burden of financial worries. In return, they dedicated works to her or acknowledged her influence in their writing.
Notable Works or Actions
One of Montagu's most significant contributions was her essay "Spleen," published anonymously in 1747. This work tackled the societal pressures placed on women and criticized the limited opportunities available to them. Her essay sparked a national conversation, shedding light on the importance of education and intellectual freedom for women.
Montagu also demonstrated her literary talents through her own writing. She composed several poems and essays, many of which were published in various journals and anthologies during her lifetime. While her work was often overshadowed by that of male authors, it showcased her commitment to promoting literature and the arts.
Impact and Legacy
Elizabeth Montagu's influence extended far beyond her immediate circle. Her dedication to education and intellectual pursuits paved the way for future generations of women to engage in literary and artistic endeavors. The Blue Stockings Society, which she founded, became a model for similar organizations, emphasizing the importance of women's participation in intellectual discussions.
Montagu's legacy can be seen in the numerous writers and artists who credited her with their success. Her patronage and support allowed them to flourish, contributing to a rich cultural landscape that continues to inspire today.
Why They Are Widely Quoted or Remembered
Elizabeth Montagu is widely remembered for her tireless efforts to promote literature and the arts among women. Her advocacy for education and intellectual freedom helped shape the literary landscape of 18th-century England. As a patron, writer, and socialite, Montagu left an indelible mark on history, inspiring generations of readers and writers.
Her influence extends beyond her own time, offering valuable lessons for contemporary society. In an era where women's voices are often marginalized or silenced, Montagu's legacy serves as a reminder of the power of individual agency and determination in shaping cultural narratives.
Quotes by Elizabeth Montagu
I endeavor to be wise when I cannot be merry, easy when I cannot be glad, content with what cannot be mended and patient when there be no redress.
I always wish to find great virtues where there are great talents, and to love what I admire...
Among many reasons for being stupid it may be urged, it is being like other people, and living like one’s neighbours, and indeed without it, it may be difficult to love some neighbours as oneself: now seeing the necessity of being dull, you won’t, I hope, take it amiss that you find me so...
To judge therefore of Shakespeare by Aristotle’s rule is like trying a man by the Laws of one Country who acted under those of another.
. . . there is a much higher character from that of a wit or a poet or a savant, which is that of a rational sociable being, willing to carry on the commerce of life with all the sweetness and condescension, decency and virtue will permit.
I often think that those people are the happiest who know nothing at all of the world, and sitting in the little empire of the fireside, where there is no contention or cabal, think we are in a golden age of existance.
You will find many a creature by earth, air, and water, that is more beautiful than a woman.
Few people know anything of the English history but what they learn from Shakespear; for our story is rather a tissue of personal adventures and catastrophes than a series of political events.
Our collection of men is very antique, they stand in my list thus: A man of sense, a little rusty, a beau a good deal the worse for wearing, a coxcomb extremely shattered, a pretty gentleman very insipid, a baronet very solemn, a squire very fat, a fop much affected, a barrister learned in Coke upon Littleton, but who knows nothing of `long ways for marry as will', an heir apparent, very awkward; which of these will cast a favourable eye upon me I don't know.