Flume
Flume
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Full Name and Common Aliases
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Haris Qureshi, known professionally as Flume, is a renowned Australian electronic music producer and DJ.
Birth and Death Dates
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Born on November 26, 1991, in Sydney, Australia. Still active in his career.
Nationality and Profession(s)
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Australian electronic music producer and DJ
Early Life and Background
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Growing up in the suburbs of Sydney, Haris Qureshi was introduced to music at a young age by his parents. He began playing piano and eventually turned to producing electronic music. Flume's early influences ranged from 1980s synth-pop to contemporary hip-hop.
Qureshi dropped out of high school in his final year to focus on music production, which led to the creation of his debut album, Self-Titled (2012). Released when he was just 19 years old, it garnered significant attention worldwide for its innovative sound and introspective lyrics.
Major Accomplishments
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Flume's breakthrough came with the release of Skin, a critically acclaimed mixtape that showcased his signature blend of electronic and hip-hop elements. The project featured collaborations with notable artists like Jezzabell, Chet Faker, and Styalz Fuego. Skin earned Flume several awards and nominations, including four ARIA Awards for Best Dance Release.
In 2016, Flume released his second studio album, Skin: Resurrections, which featured collaborations with The Weeknd, Kai, and others. This effort solidified his position as a leader in the electronic music scene.
Notable Works or Actions
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Some of Flume's most notable works include:
Self-Titled (2012) - Debut album that showcased his unique style.
Skin (2013) - Breakthrough mixtape featuring collaborations with Jezzabell, Chet Faker, and Styalz Fuego.
Holdin On (2013) - A critically acclaimed single from the Skin mixtape.
Never Be Like You (feat. Kai) (2016) - A hit single from his second studio album.
Flume has also made significant contributions to various charitable initiatives, including a collaboration with The Australian Red Cross for the 2013 bushfires in New South Wales.
Impact and Legacy
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Flume's innovative approach to electronic music production has inspired a new generation of producers. His blend of introspective lyrics and genre-bending soundscapes has been praised by critics and fans alike.
Qureshi's impact extends beyond his music, as he continues to advocate for the importance of mental health awareness and charitable causes.
Why They Are Widely Quoted or Remembered
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Flume is widely quoted or remembered for his thought-provoking lyrics, genre-pushing production style, and dedication to social causes. His contributions to electronic music have solidified his position as one of the most influential artists in the industry today.
Quotes by Flume
I know how to make a record that commercial radio or Triple J will smash now... It's kind of hard to stay true and write what you would write if you didn't have that in your head. Because I know I can get way more airplay and get this much bigger... and that's what I'm trying to avoid doing. Trying to avoid the poisons of success.
I just want to write another record that's as good or better than the one I've already made. That's my main goal, to follow up stronger than before.
To me it's all about textures, and that's the side of music that I'm finding really exciting. I feel like it's one of the only parts of music that mankind hasn't fully discovered yet.
I did a few DJ gigs at empty clubs, sort of as a warm-up set before Flume was a thing. I did one when I got big enough, and I had five friends come down, and they were the only ones dancing. That was one of my earliest ones. I was super nervous.
Once I'm in a situation where I can not do anything for three years and go off the map, I'll focus more on writing. Right now, I want to just make Flume awesome... and big.
To me, skin is alien and kind of weird; it weirds me out. It's strange, but it's also really intimate and personal; it's living, organic. That's how I want the music to sound; I want it to feel alien and strange, but also like it's got a heartbeat, like it's got a soul, like it's not made by a robot.
I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly, it's my job, and people are asking, 'Where's the record?'
I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real.