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Gay Talese

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Gay Talese
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Full Name and Common Aliases


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Joseph Gaylord "Gay" Talese is an American journalist, author, and professor known for his work in narrative nonfiction.

Birth and Death Dates


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Born on February 14, 1931, in Staten Island, New York. Currently active as a writer and lecturer.

Nationality and Profession(s)


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American journalist, author, and professor of journalism.

Early Life and Background


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Talese was born to Italian-American parents in Staten Island, New York. He grew up in a family that valued education and encouraged his interest in writing from an early age. Talese's father was a lawyer who instilled in him a love for language and storytelling. After graduating from high school, he attended the University of Alabama on a scholarship before transferring to the University of Notre Dame.

At Notre Dame, Talese developed his passion for journalism and began writing for the college newspaper. His experiences as a student journalist shaped his approach to storytelling and laid the foundation for his future work in narrative nonfiction. After graduating from college, Talese worked briefly as a copy editor at The New York Post before joining the staff of The New York Herald Tribune.

Major Accomplishments


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Talese's breakthrough story, "Frank Sinatra Has a Cold," published in Esquire magazine in 1966, cemented his reputation as a masterful storyteller. This long-form narrative about the life and habits of Frank Sinatra set the standard for in-depth reporting and remains one of the most iconic pieces of narrative nonfiction in American journalism.

Throughout his career, Talese has written extensively on topics such as crime, sports, and social issues, often using unconventional storytelling techniques to engage readers. His writing style combines meticulous research with vivid descriptions, creating a compelling narrative voice that draws readers into the world of the story.

Notable Works or Actions


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Talese's notable works include:

"Frank Sinatra Has a Cold" (1966): A groundbreaking profile of Frank Sinatra that showcased Talese's unique approach to storytelling.
"The Bridge" (1977): A narrative exploration of the construction of the Verrazano-Narrows Bridge in New York City, which won the National Book Award for Nonfiction in 1980.
* "Honor Thy Father" (1971): A family memoir that tells the story of his father's involvement with organized crime.

Talese has also taught at various institutions, including Princeton University and the University of New York, and has received numerous awards for his contributions to journalism.

Impact and Legacy


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Gay Talese's influence on narrative nonfiction is undeniable. His innovative approach to storytelling has inspired generations of journalists and writers, pushing the boundaries of what is possible in long-form reporting. By combining meticulous research with vivid descriptions, Talese created a new standard for narrative nonfiction that continues to shape the genre today.

Talese's impact extends beyond his writing as well. He has played a significant role in shaping the culture of journalism, advocating for the importance of in-depth storytelling and promoting the value of long-form reporting in an increasingly fast-paced media landscape.

Why They Are Widely Quoted or Remembered


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Gay Talese is widely quoted and remembered for his pioneering work in narrative nonfiction. His innovative approach to storytelling has inspired countless journalists and writers, leaving a lasting impact on the genre. As one of the most influential voices in American journalism, Talese continues to be celebrated for his unique style, dedication to in-depth reporting, and commitment to preserving the art of narrative nonfiction.

Talese's contributions to journalism have earned him numerous awards and accolades, including multiple National Book Awards and a place on the list of 100 most influential people in the world by Time magazine. His legacy serves as a testament to the power of storytelling and the enduring impact of his work on American journalism.

Quotes by Gay Talese

Gay Talese's insights on:

In New York the Fifth Avenue Lingerie Shop is on Madison Avenue, the Madison Pet Shop is on Lexington Avenue, the Park Avenue Florist is on Madison Avenue, and the Lexington Hand Laundry is on Third Avenue. New York is the home of 120 pawnbrokers, and it is where Bishop Sheen’s brother, Dr. Sheen, shares an office with one Dr. Bishop.
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In New York the Fifth Avenue Lingerie Shop is on Madison Avenue, the Madison Pet Shop is on Lexington Avenue, the Park Avenue Florist is on Madison Avenue, and the Lexington Hand Laundry is on Third Avenue. New York is the home of 120 pawnbrokers, and it is where Bishop Sheen’s brother, Dr. Sheen, shares an office with one Dr. Bishop.
The reporter wrote with the hope that he would get a by-line in the Times, a testimony to his being alive on that day and all the tomorrows of microfilm.
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The reporter wrote with the hope that he would get a by-line in the Times, a testimony to his being alive on that day and all the tomorrows of microfilm.
I could come up with 50 stories that I am thinking about.
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I could come up with 50 stories that I am thinking about.
For example, many colleges in their writing programs teach some of my work.
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For example, many colleges in their writing programs teach some of my work.
One way to hold a woman is not to hold her.
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One way to hold a woman is not to hold her.
They were unabashed voyeurs looking at him; and Talese looked back.
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They were unabashed voyeurs looking at him; and Talese looked back.
I am writing about people who are alive in the city of New York during mid-20th-century America. And these people are like a character in a play or they are figures in a short story or a novel.
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I am writing about people who are alive in the city of New York during mid-20th-century America. And these people are like a character in a play or they are figures in a short story or a novel.
I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
Gerald Foos’s explanation in his journal – he was ‘only an observer and not a reporter,’ and he ‘really didn’t exist as far as the male and female subjects were concerned’ – were explanations that didn’t surprise me because of his often-expressed notion that he was a fractured individual, a hybridized combination of the Voyeur and Gerald Foos.
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Gerald Foos’s explanation in his journal – he was ‘only an observer and not a reporter,’ and he ‘really didn’t exist as far as the male and female subjects were concerned’ – were explanations that didn’t surprise me because of his often-expressed notion that he was a fractured individual, a hybridized combination of the Voyeur and Gerald Foos.
And so there is nothing new in Thy Neighbor’s Wife. Nor is there anything old.
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And so there is nothing new in Thy Neighbor’s Wife. Nor is there anything old.
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