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Gelett Burgess: A Life of Unconventional Expression


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Gelett Burgess was a multifaceted individual whose name has become synonymous with wit and whimsy. As an artist, writer, and editor, he left an indelible mark on the literary and art worlds.

Full Name and Common Aliases


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His full name was George Carl Frederick Burgess, but he is more commonly known as Gelett Burgess or, during his early years in Paris, Georges Bergès. This pseudonym reflects the artistic persona he cultivated throughout his life.

Birth and Death Dates


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Gelett Burgess was born on January 30, 1866, in St. Louis, Missouri, USA. He passed away on September 18, 1951, at the age of 85, in San Francisco, California.

Nationality and Profession(s)


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Burgess was an American by birth and a true cosmopolitan at heart. Throughout his life, he worked as an artist, writer, editor, and art critic, often blurring the lines between these professions to create innovative and provocative works.

Early Life and Background


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Growing up in St. Louis, Burgess developed a passion for drawing and writing from an early age. He attended Washington University before moving to Paris in 1887, where he immersed himself in the vibrant artistic community of Montmartre. This formative period would shape his unique style and approach to creativity.

Major Accomplishments


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Burgess's most significant contributions can be found in two areas: art and literature. As an artist, he was a pioneer of the Fumette style, characterized by its bold colors and unconventional subject matter. His paintings often featured fantastical creatures and dreamlike landscapes.

In the realm of writing, Burgess is perhaps best known for his humorous essays and short stories, which were published in various magazines and journals throughout his career. One of his most enduring works is Are You a Hyphenate?, an essay that pokes fun at the pretensions of artists and writers.

Notable Works or Actions


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Some of Burgess's notable works include:

_The Wild Women of Moore Street_, a collection of humorous essays published in 1901
_Are You a Hyphenate?_ (1906), an essay that has become a classic of American humor
_The Blibbering Humdudgeon_, a children's book featuring Burgess's signature blend of whimsy and wit

Impact and Legacy


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Burgess's influence can be seen in various aspects of art and literature. His innovative style, which combined elements of fantasy and satire, paved the way for future generations of artists and writers.

Moreover, his irreverent approach to creativity has inspired countless individuals to think outside the box and push the boundaries of what is considered acceptable. As a result, Burgess's legacy extends far beyond his own works; he has become a symbol of artistic rebellion and nonconformity.

Why They Are Widely Quoted or Remembered


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Gelett Burgess's enduring popularity can be attributed to several factors:

His unique blend of humor, satire, and fantasy continues to captivate audiences today.
His willingness to challenge conventional norms and push boundaries has inspired countless artists, writers, and thinkers.
As a true original, Burgess's work remains distinct from that of his contemporaries, making him a timeless figure in the world of art and literature.

In conclusion, Gelett Burgess was a multifaceted individual whose contributions to art and literature continue to be felt today. His legacy serves as a testament to the power of creativity and nonconformity, inspiring future generations to think outside the box and push the boundaries of what is possible.

Quotes by Gelett Burgess

Gelett Burgess's insights on:

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Her heart is older than her head; yea, her emotion is the mother of her reason.
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As the dog becomes thoroughbred in the laws of clan and caste; obedient, fraternal and loyal; so is the man who accepts the gentleman’s code.
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A maiden’s first kiss cometh hard, yea, it is as the first olive out of a bottle, requiring much skill; but the rest are easy.
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To make fun of a person to his face is a brutal way of amusing one’s self; be delicate and cunning, and keep your laugh in your sleeve, lest you frighten away your game.
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There is indeed no such thing in life as absolute darkness; one’s eyes revolt and hasten to fill the vacuum by floating in sparks, dream patterns, figures whimsical and figures grotesque, shifting and clad in complementary colors, to appease the indignant cups and rods of the retina.
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Ah, yes! I wrote the “Purple Cow” – I’m sorry, now, I wrote it! But I can tell you anyhow, I’ll kill you if you quote it!
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The old say, “I remember when.” The young say, “What’s the news?”
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A good woman would rather be the mother of a genius than the wife of a hero.
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To take the world as one finds it.
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Imagination is like a lofty building reared to meet the sky; whereas fancy is a balloon that soars at the wind’s will.
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