George Hickenlooper
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Full Name and Common Aliases

George Hickenlooper's full name was George Peter Hickenlooper. He is also commonly referred to as George Hickenlooper.

Birth and Death Dates

Hickenlooper was born on April 25, 1963, in Omaha, Nebraska. Unfortunately, he passed away on October 22, 2010, at the age of 47 due to a self-inflicted gunshot wound.

Nationality and Profession(s)

George Hickenlooper held American nationality. His profession spanned across film and television as a director, producer, and editor.

Early Life and Background

Growing up in Omaha, Nebraska, George developed an interest in filmmaking from a young age. He attended the University of California, Berkeley, where he began to hone his skills as a filmmaker. After graduating, Hickenlooper moved to Los Angeles to pursue a career in the film industry.

Major Accomplishments

Throughout his career, George achieved numerous accolades for his work on several notable documentaries and films. Some of his most significant accomplishments include:

Bukowski: This 2003 biographical drama about the life of poet Charles Bukowski was one of Hickenlooper's most critically acclaimed works.
Casino Jack: Released in 2010, this biographical comedy-drama film starring Kevin Spacey as Washington lobbyist Jack Abramoff showcased George's expertise in crafting compelling narratives.

Notable Works or Actions

As a director and producer, George was involved in several projects that garnered attention for their thought-provoking content. Some of his notable works include:

Hearts of Darkness: A documentary about the making of Francis Ford Coppola's Apocalypse Now (1979), which Hickenlooper co-directed with Fax Bahr and Peter W. Schlessel.
The US vs. John Lennon: This 2007 documentary film explores the life and legacy of Beatle John Lennon, who was targeted by the U.S. government for his anti-war activism.

Impact and Legacy

George Hickenlooper left a lasting impact on the film industry with his dedication to storytelling and commitment to shedding light on important social issues. His body of work continues to inspire filmmakers and influence contemporary cinema.

Why They Are Widely Quoted or Remembered

Hickenlooper's ability to balance thought-provoking content with engaging narratives has made him a respected figure in the film industry. His contributions to documentaries and biographical dramas have not only provided insight into the lives of notable figures but also sparked meaningful conversations about politics, society, and culture.

As his legacy continues to be celebrated, George Hickenlooper's quotes and insights offer valuable perspectives on the power of storytelling and the importance of tackling complex issues through film.

Quotes by George Hickenlooper

I'm very strongly in favor of the auteur theory.
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I'm very strongly in favor of the auteur theory.
Most people, 95% of people, are good people. It's the 5% who get seduced by power.
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Most people, 95% of people, are good people. It's the 5% who get seduced by power.
Obviously you have a responsibility – one would like to think there is such a thing as ethics in filmmaking.
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Obviously you have a responsibility – one would like to think there is such a thing as ethics in filmmaking.
At times doc filmmaking feels more rewarding creatively. Because you are creating something out of pure cinema – instead of narrative cinema, where you’ve got a script and a cast and you build from your foundation, whereas in documentary, you’re building out of chaos.
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At times doc filmmaking feels more rewarding creatively. Because you are creating something out of pure cinema – instead of narrative cinema, where you’ve got a script and a cast and you build from your foundation, whereas in documentary, you’re building out of chaos.
I love the grandiosity of Hollywood movies, and even in independents, I love the canvas you can tell your story on. I love fiction filmmaking, you really feel like you’re creating something.
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I love the grandiosity of Hollywood movies, and even in independents, I love the canvas you can tell your story on. I love fiction filmmaking, you really feel like you’re creating something.
The promise of celebrity is a transcendental human state of existence. It’s not real. We do know the fact that celebrities as mortal beings exist and if you are looking for love by being famous or being around the famous – ultimately that goes away.
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The promise of celebrity is a transcendental human state of existence. It’s not real. We do know the fact that celebrities as mortal beings exist and if you are looking for love by being famous or being around the famous – ultimately that goes away.
The promise of celebrity is a transcendental human state of existence. It's not real. We do know the fact that celebrities as mortal beings exist and if you are looking for love by being famous or being around the famous - ultimately that goes away.
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The promise of celebrity is a transcendental human state of existence. It's not real. We do know the fact that celebrities as mortal beings exist and if you are looking for love by being famous or being around the famous - ultimately that goes away.
Theres something unique about the United States, a sense of individual rights and freedoms, and a sense of social and civic responsibility that we contributed to so much of the world. We lost that mission in the 1980s and 1990s, when we entered a gilded age, and the culture of individualism became a culture of avarice.
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Theres something unique about the United States, a sense of individual rights and freedoms, and a sense of social and civic responsibility that we contributed to so much of the world. We lost that mission in the 1980s and 1990s, when we entered a gilded age, and the culture of individualism became a culture of avarice.
The arc of the celebrity phenomenon ultimately is: everything turns to dust and everything does go away.
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The arc of the celebrity phenomenon ultimately is: everything turns to dust and everything does go away.
Im fascinated by failure, and Im fascinated by finality. Shakespeares historical plays are more universal than his comedies because they relate to the finality of life. Without finality, life would not be beautiful.
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Im fascinated by failure, and Im fascinated by finality. Shakespeares historical plays are more universal than his comedies because they relate to the finality of life. Without finality, life would not be beautiful.
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