I’m a visual thinker. With almost all of my writing, I start with something that’s visual: either the way someone says something that is visual or an actual visual description of a scene and color.

Race is an invention, not a noticeable genetic presence, and cultural traits are brute concoctions of the social sciences.

Life is a chance, a story is a chance. That I am here is a chance.

I'm a visual thinker. With almost all of my writing, I start with something that's visual: either the way someone says something that is visual or an actual visual description of a scene and color.

Trickster stories are pleasurable, contradictory, annoying, abrasive. They're powerful, transformational acts of liberation because they are not nailed down to the real, to the representation of something in the world.

The idea of victimage is a dreadful thing, a product of a safe middle-class perspective. What people who are not safe develop is a tragic wisdom, a wisdom that embraces contradiction and seeks a sense of balance rather than going to extremes.

Indians are usually seen as capsulized: limited to one environment, with the illusion of stability in that environment. But Indians have been engaged all over the world for centuries, in Europe, even in Asia.

W. P. Kinsella, who was born on a farm near Edmunton, Alberta, has earned wide recognition for his wild imagination and rash humor as a writer.

There is a sense of motion and a concise, immediate image in haikus and Anishinaabe dream songs.

There are 13 stories in 'The Fencepost Chronicles' about corrupt tribal leaders, trouble on the reserve, survival schemes, and communal drinking.