Gregory Orr
The American literary scene of the latter twentieth century gave sustained attention to the lyric poem as a vehicle for personal and psychological reckoning. Gregory Orr, born in Albany in 1947, emerged from that tradition as a poet writing in English whose work found its footing in the confessional and post-confessional currents of the era.
Orr was educated at Columbia University School of the Arts, a training that situated him within a rigorous literary environment. He went on to work as a university teacher, bringing the craft of poetry into an academic setting, while also serving in editorial and opinion journalism capacities. His career moved across these overlapping roles — practitioner, educator, commentator — in ways that kept his engagement with the written word active on several fronts simultaneously. That work was recognized with a Guggenheim Fellowship, one of the more competitive honors available to American artists and scholars. His writings are catalogued under the Library of Congress Name Authority File identifier n80050958, marking the institutional record of his contribution to American letters.
Quotes by Gregory Orr

Writing often reveals us to ourselves, lets us name what’s important to us and what has been silent or silenced inside us.

To me, poetry is about survival first of all. Survival of the individual self, survival of the emotional life.

With “poets dead and gone” as Keats says in “Mermaid Tavern” they are alive and talking to us and us to them.

Another way of saying “put it in the Book” would be that each poem we write pops up in the city of poetry, where anyone can visit it. Just as we visit the poems written before us. Go to Dickinson’s house, or Li Po’s or whomever we think has something to say to us that might help or be beautiful.

Beauty is like life itself: a dawn mist the sun burns off. It gives no peace, no rest.




